Contents ( 36)
- CONTENTS
- ACKNOWLEDGMENTS
- WHAT IT LOOK LIKE
- THE DEER
- HOW TO BE DRAWN TO TROUBLE
- NEW YORK POEM
- AS TRAFFIC
- WIGPHRASTIC
- MY LIFE AS A HUMMER
- GENTLE MEASURES1
- A CONCEPT OF SURVIVAL
- WHO ARE THE TRIBES
- BLACK CONFEDERATE GHOST STORY
- HOW TO DRAW AN INVISIBLE MAN
- BARBERISM
- THE CARPENTER ANT
- AMERICAN SONNET FOR WANDA C.
- LIKE MERCY
- A. MACHINE
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III
- ELEGY WITH ZOMBIES FOR LIFE
- INSTRUCTIONS FOR A SÉANCE WITH VLADIMIRS
- THE ROSE HAS TEETH
- ANTEBELLUM HOUSE PARTY
- RECONSTRUCTED RECONSTRUCTION
- WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES
- FOR CRYING OUT LOUD
- MODEL PRISON MODEL
- SOME MAPS TO INDICATE PITTSBURGH
- NEW JERSEY POEM
- SELF-PORTRAIT AS THE MIND OF A CAMERA
- HOW TO DRAW A PERFECT CIRCLE
- ARS POETICA FOR THE ONES LIKE US
- NOTES
When I called out to the old man as he walked away,
I swear he was singing Whatever, whatever to himself.
God hardly listens when we talk anyway. After spells
Of nothing sometimes I go Shedeadshedeadshedead
To myself because that‘s how I pray. If you’re a church,
Dear Lord, you’re less than stained glass to me.
I want to take a hammer, I want to hammer, I want
To take a hammer to the mirror on your smallest toe.
Because, eureka, a little prayer don’t doctor shit.
I can almost imagine the look of your scars,
Dear Lord, when I find you.
A. MACHINE
Hey, I am learning what it means to ride condemned.
I may be breaking up. I am doing 85 outside the kingdom
Of heaven, under the overpass and passed over,
The past is over and I’m over the past. My odometer
Is broken, can you help me? When you get this mess-
Age, I may be a half-ton crush, a half tone of mist
And mystery, may be trooper bait with the ambulance
Ambling somewhere, or a dial of holy stations, a band-
Age of clamor and spooling, a dash and semaphore,
A pupil of motion on my way to be buried or planted or
Crammed or creamed, treading light and water or tread
And trepidation, maybe. Hey, I am backfiring along a road
Through the future with “I am alive” skidding across my tongue.
When you get this message, will you sigh, My lover is gone?
PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I

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PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II

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PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III

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ELEGY WITH ZOMBIES FOR LIFE
The trouble with living like thinking is feeling is it’s not
Really living. I think, for example, these are good times
Save the mornings I want to say “Shame on you mother-
Fuckers” to the motherfuckers trafficking homemade posters
Of death on the corner between my home and the cemetery
That holds among its dead the bones of the great pianist
Mary Lou Williams, the mother of jazz. Music was her child
Because she had no child. For Mother’s Day my children
And I took my wife to visit Mary Lou’s headstone (May 8, 1910–
May 28, 1981). We found it unmoored and untended,
Unattended on a hillside. People who say don’t live in the past
Don’t have a real sense of the past, would you agree with that?
Life is not about what you learn, really, but what you remember.
I was in a diner once when I saw a young mother passed out