Contents ( 36)
- CONTENTS
- ACKNOWLEDGMENTS
- WHAT IT LOOK LIKE
- THE DEER
- HOW TO BE DRAWN TO TROUBLE
- NEW YORK POEM
- AS TRAFFIC
- WIGPHRASTIC
- MY LIFE AS A HUMMER
- GENTLE MEASURES1
- A CONCEPT OF SURVIVAL
- WHO ARE THE TRIBES
- BLACK CONFEDERATE GHOST STORY
- HOW TO DRAW AN INVISIBLE MAN
- BARBERISM
- THE CARPENTER ANT
- AMERICAN SONNET FOR WANDA C.
- LIKE MERCY
- A. MACHINE
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III
- ELEGY WITH ZOMBIES FOR LIFE
- INSTRUCTIONS FOR A SÉANCE WITH VLADIMIRS
- THE ROSE HAS TEETH
- ANTEBELLUM HOUSE PARTY
- RECONSTRUCTED RECONSTRUCTION
- WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES
- FOR CRYING OUT LOUD
- MODEL PRISON MODEL
- SOME MAPS TO INDICATE PITTSBURGH
- NEW JERSEY POEM
- SELF-PORTRAIT AS THE MIND OF A CAMERA
- HOW TO DRAW A PERFECT CIRCLE
- ARS POETICA FOR THE ONES LIKE US
- NOTES
who refuse (click here for the entire video)
to wear shirts in public when one considers the beauty
of a black torso. If and when the dashiki is fashionable
again, I will sport it with the aplomb of a peacock plume.
For now, I have a row of coin-size buttons tattooed
down my chest so it looks like I mean business
even when I’m naked. I know that means a lot to you.
MODEL PRISON MODEL
Here in this small, expertly crafted model
You can see the layout of the prison I will erect:
The 17,000 six-by-eight cells, the wards
For dreamers reduced to beggars to my right,
The wards for strangers who might be or become
Enemies to my left. It has taken months
Of sweat and research to design and assemble
This miniature, but with your support
It should only take a year or so to build
To functioning size. Let me direct your attentions
To the barbed-wire fence which thickens
To a virtual cyclone of fangs above the prison.
With a good model to draw upon
I was able to create a terrific somberness
And then lie down and imagine the lives
Of the prisoners and officers inside.
I feel like this is a good time to tell you
My parents and first cousin have worked
Decades as prison guards. Nonetheless,
When I, a black male poet, was asked
To participate in the construction of this vision,
I was surprised. During the uninspired years
I smoked so much I would have set myself aflame
Had I not been weeping half the time.
I am told when my uncle was an inmate,
My father often found him cowering in his cell
Like a folded rag. You will note the imposing
Guard towers at each corner of the prison.
In the yard below I will loose vigilant dogs.
Whether you consider dogs symbols of security
Or symbols of danger depends upon whether
You’re inside or outside the fence.
In our current positions around the model
You and I represent the just, the offended
And vengeful, the grief-stricken and not-all-together
Innocent citizens. Take a moment to consider
The prayers and/or insults you might like
To shower upon the new inmates as they arrive.
Even a slur is a form of welcome.
I plan to have the vocalists among the prisoners
Sing for the old men who die there.
Perhaps their songs will soften the picketers.
The prison of the picketer, let me remark,
Is filled with empty riverbeds and the kind
Of desire that only gets tender in fire.
Last night as I finished fashioning hundreds
Of paper clips into the shiny bars between us,
I imagined myself seated before a parole board
Spilling indecipherable jive. Everybody is excited
By freedom. I was reminded of the theory
That says the body is a prison wherein the mind
Resides when I installed the small industrial locks
You see bolting the prison’s minuscule doorway.
In fact, if each of you can bend over now and try