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Contents (36)
  1. CONTENTS
  2. ACKNOWLEDGMENTS
  3. WHAT IT LOOK LIKE
  4. THE DEER
  5. HOW TO BE DRAWN TO TROUBLE
  6. NEW YORK POEM
  7. AS TRAFFIC
  8. WIGPHRASTIC
  9. MY LIFE AS A HUMMER
  10. GENTLE MEASURES1
  11. A CONCEPT OF SURVIVAL
  12. WHO ARE THE TRIBES
  13. BLACK CONFEDERATE GHOST STORY
  14. HOW TO DRAW AN INVISIBLE MAN
  15. BARBERISM
  16. THE CARPENTER ANT
  17. AMERICAN SONNET FOR WANDA C.
  18. LIKE MERCY
  19. A. MACHINE
  20. PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I
  21. PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II
  22. PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III
  23. ELEGY WITH ZOMBIES FOR LIFE
  24. INSTRUCTIONS FOR A SÉANCE WITH VLADIMIRS
  25. THE ROSE HAS TEETH
  26. ANTEBELLUM HOUSE PARTY
  27. RECONSTRUCTED RECONSTRUCTION
  28. WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES
  29. FOR CRYING OUT LOUD
  30. MODEL PRISON MODEL
  31. SOME MAPS TO INDICATE PITTSBURGH
  32. NEW JERSEY POEM
  33. SELF-PORTRAIT AS THE MIND OF A CAMERA
  34. HOW TO DRAW A PERFECT CIRCLE
  35. ARS POETICA FOR THE ONES LIKE US
  36. NOTES

And the cop, bleeding from his eye, kills the assailant, no one traveling

To the subway sees it quickly enough to make a camera phone witness.

The scene must be carried on the tongue, it must be carried

On the news into the future where it will distract the eyes working

Lines into paper. This is what blind contour drawing conjures in me.

At the center of God looms an O, the devil believes justice is shaped

Like a zero, a militant helmet or war drum, a fist or gun barrel,

A barrel of ruined eggs or skulls. To lift anything from a field

The lifter bends like a broken O. The weight of the body

Lowered into a hole can make anyone say Oh: the onlookers,

The mother, the brothers and sisters. Omen begins with an O.

When I looked into my past I saw the boy I had not seen in years

Do a standing backflip so daring onlookers called him crazy.

I did not see a moon as white as an onion but I saw a paper plate

Upon which the boy held a plastic knife and sopping meat.

An assailant is a man with history. His mother struggles

To cut an onion preparing a meal to be served after the funeral.

The onion is the best symbol of the O. Sliced, a volatile gas stings

The slicer’s eyes like a punishment clouding them until they see

What someone trapped beneath a lid of water sees:

A soft-edged world, a blur of blooms holding a coffin afloat.

The onion is pungent, its scent infects the air with sadness,

All the pallbearers smell it. The mourners watch each other,

They watch the pastor’s ambivalence, they wait for the doors to open,

They wait for the appearance of the wounded one-eyed victim

And his advocates, strangers who do not consider the assailant’s funeral

Appeasement. Before that day the officer had never fired his gun

In the line of duty. He was chatting with a cabdriver

Beneath the tracks when my cousin circled him holding a knife.

The wound caused no brain damage though his eyeball was severed.

I am not sure how a man with no eye weeps. In The Odyssey

Pink water descends the Cyclops’s cratered face after Odysseus

Drives a burning log into it. Anyone could do it. Anyone could

Begin the day with his eyes and end it blind or deceased,

Anyone could lose his mind or his vision. When I go crazy

I am afraid I will walk the streets naked, I am afraid I will shout

Every fucked-up thing that troubles or enchants me, I will try to murder

Or make love to everybody before the police handcuff or murder me.

Though the bullet exits a perfect hole it does not leave perfect holes

In the body. A wound is a cell and portal. Without it the blood runs

With no outlet. It is possible to draw handcuffs using loops

Shaped like the symbol for infinity, from the Latin infinitas,