Back Endgame Save as PDF
Chapters (90)
  1. Cover
  2. About the Author
  3. Praise for Malorie Blackman’s books
  4. Also available by Malorie Blackman for young adult readers
  5. Dedication
  6. Family Tree
  7. Epigraph
  8. NOW
  9. one. Tobey
  10. two. Libby
  11. Then
  12. three. Place Names
  13. four. Isabella Monroe
  14. five. Kellan Bruemann
  15. NOW
  16. six. Libby
  17. Daily Shouter Online
  18. Then
  19. seven. Patrix Ellerman
  20. eight. Tobey Durbridge
  21. nine. Circulating
  22. NOW
  23. ten. Troy
  24. Then
  25. eleven. Owen Dowd
  26. twelve. Eva Foxton
  27. thirteen. Tom Jeavons
  28. NOW
  29. Then
  30. fourteen. Sephy Ealing
  31. fifteen. The Night That Would Never End
  32. NOW
  33. sixteen. Sephy
  34. seventeen. Libby
  35. eighteen. Sephy
  36. nineteen. Tobey
  37. twenty. Sephy
  38. twenty-one. Libby
  39. twenty-two. Troy
  40. twenty-three. Libby
  41. twenty-four. Tobey
  42. twenty-five. Troy
  43. twenty-six. Callie
  44. twenty-seven. Tobey
  45. twenty-eight. Troy
  46. twenty-nine. Callie
  47. thirty. Sephy
  48. thirty-one. Libby
  49. thirty-two. Sephy
  50. thirty-three. Tobey
  51. thirty-four. Sephy
  52. thirty-five. Troy
  53. thirty-six. Callie
  54. thirty-seven. Tobey
  55. thirty-eight. Callie
  56. thirty-nine. Sephy
  57. forty. Tobey
  58. forty-one. Sephy
  59. forty-two. Troy
  60. forty-three. Callie
  61. forty-four. Sephy
  62. forty-five. Libby
  63. forty-six. Sephy
  64. forty-seven. Troy
  65. forty-eight. Tobey
  66. forty-nine. Sephy
  67. fifty. Libby
  68. fifty-one. Sephy
  69. fifty-two. Callie
  70. fifty-three. Tobey
  71. fifty-four. Sephy
  72. fifty-five. Troy
  73. fifty-six. Libby
  74. fifty-seven. Callie
  75. fifty-eight. Sephy
  76. fifty-nine. Tobey
  77. sixty. Callie
  78. sixty-one. Sephy
  79. sixty-two. Tobey
  80. sixty-three. Sephy
  81. sixty-four. Tobey
  82. sixty-five. Troy
  83. sixty-six. Callie
  84. THREE MONTHS LATER
  85. sixty-seven. Tobey
  86. sixty-eight. Troy
  87. sixty-nine. Callie
  88. seventy. Libby
  89. Acknowledgements
  90. THIS IS JUST THE BEGINNING

But I can’t go on this way. I’m going to have to seek medical help and soon, before I keel over from fatigue – or stress. In the small hours of the nightmare mornings, sleep mockingly snatches me up, and lifts me high, only to delight in suddenly dropping me. So I sit in the dark and wrap memories round me like a comfort blanket.

And I think.

Too much.

About you and me, Callum. But mostly about you.

D’you remember this photo? The two of us daring to hold hands in public, true happiness in our eyes. My face is in profile and there’s more of the back of your head than the front in the picture. It shows the side of your face, though not your eyes, but it doesn’t matter. I have the full image in my mind. You and I were at a funfair and you shot down five targets in a row to win a stuffed tiger for me. I was so proud of you. Five targets in a row. I hugged you so tightly as you laughed at my delight, and the stall owner offered to take our photo. How could we say no? But even then you weren’t keen on having your picture taken so you turned to me and away from the stall owner at the last moment and ruined it. I printed and kept the photo anyway, and, when you died, I filed it – beneath clothes or books or at the back of the wardrobe. I can’t really remember its exact last resting place, but it stayed buried for years.

When Nathan died and I was finally clearing out his things, there was our old photograph, hidden at the back of a drawer where I could’ve sworn I never put it. Using my smartphone to scan it, the photo became the image on my home screen. It’s one of my lifetime favourite memories. In that moment when the photo was taken, we were both happy. Innocently ignorant and truly happy. I’m struggling to remember how that feels.

I swore I wouldn’t do this any more: look at your photo and yearn for what might’ve been. What good does it do? You, the real you, are long gone. I’m talking to a man who is no longer here. You’re dead. That’s all there is to it.

Except it isn’t.