Back Dog Days Save as PDF
Chapters (68)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prelude
  5. George
  6. Dan
  7. Lizzie
  8. George
  9. Dan
  10. Lizzie
  11. George
  12. Dan
  13. Lizzie
  14. George
  15. Dan
  16. Lizzie
  17. George
  18. Dan
  19. Lizzie
  20. George
  21. Dan
  22. Lizzie
  23. George
  24. Dan
  25. Lizzie
  26. George
  27. Dan
  28. Lizzie
  29. George
  30. Dan
  31. Lizzie
  32. George
  33. Dan
  34. George
  35. Dan
  36. Lizzie
  37. George
  38. Dan
  39. Lizzie
  40. George
  41. Dan
  42. Lizzie
  43. Dan
  44. George
  45. Dan
  46. Lizzie
  47. Dan
  48. Lizzie
  49. George
  50. Lizzie
  51. George
  52. Dan
  53. Lizzie
  54. George
  55. Dan
  56. Lizzie
  57. George
  58. Dan
  59. Lizzie
  60. George
  61. Dan
  62. Lizzie
  63. George
  64. Dan
  65. Beth
  66. Postscript
  67. Acknowledgements
  68. THIS IS JUST THE BEGINNING

DAN’S STAR WARS ALARM clock wakes him at 6.30 a.m. He rolls over and punches Darth Vader on the head, then climbs out of bed and stretches. In the corner, his yellow Labrador, Fitz, yawns, and it sounds like Chewbacca, which always makes Dan laugh. Together they pad downstairs, Fitz’s tail drumming a beat on Dan’s bare legs as they go. Fitz checks that the garden is as he left it while Dan fires up the coffee machine. Dan counts the whirs and ticks but manages to turn the tap on and off only four times. Fitz comes back in time to hear the hiss of hot water, then sits and waits for the milk from Dan’s cereal bowl.

Dan has a new client today and that makes him nervous. It takes him longer than normal to button up his shirt and he sweats with the effort. He thinks about having another shower but doesn’t have time. This makes him sweat more. He knows the only way to stop the sweating is to start the counting. He tells himself it won’t really stop the sweating. The left side of his brain knows he’s being stupid. The right side tells him this three times, then three times more. On the second set of threes he turns the light switch on and off. On the third set he counts his vinyl records. He wants to reorganize them by era, not colour, but he knows this would make him very, very late.

He pats Fitz sixty times instead. Fitz licks his nose with a wide pink tongue. Dan breathes him in deeply, fur and dog and friend, and says he’ll walk him later. Fitz offers a paw, which Dan shakes. ‘Deal,’ he says, and Fitz gives a single solemn bark in return, then lumbers back out to the garden. ‘Don’t chase that seagull,’ Dan says. ‘It’s not just your garden. You need to share it with the birds,’ but it’s too late. Fitz is already haring down the narrow pathway to yip and yap a symphony at the trespasser.

Dan is seven minutes late to work. His new patient isn’t due until ten, but he likes to have a full hour to study the referral notes beforehand and he worries he might miss something vital with the seven minutes he’s lost. Even after two years and seven months, Dan is still waiting for someone to realize that he is entirely unsuited to being a counsellor. Waiting makes him nervous. It always has. His mother called him an impatient child, but it wasn’t that. It was the not-knowing, the unforeseen in any circumstance. He was not impatient, he was uneasy.

He’s twenty-five now, and still fears what might lie ahead, beyond the next bend. The sooner Alan, the owner of the practice Dan works for, realizes that Dan is masquerading as a compos-mentis professional and fires him, the better.