Chapters (80)
- Title Page
- Copyright Page
- CONTENTS
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- A LETTER TO MY READERS
- ABOUT THE AUTHOR
- ALSO BY RACHEL ABBOTT
- OTHER NOVELS BY RACHEL ABBOTT
- ACKNOWLEDGEMENTS
- READING GROUP QUESTIONS
I notice there is a garage that will hold about four cars, but its doors are closed and Thea pulls up by what I assume is the main entrance to the house. As I open the car door I am surprised by the silence. We can’t be far from major roads, but there isn’t a sound. I guess the tall trees must act as natural barriers, and after everything I’ve been through, it is incredibly soothing. It is as if all noise has been deadened by giant earmuffs.
I think Thea can sense I’m slightly overawed, and she becomes brisk and businesslike. ‘Right, we’ll get you inside and I’ll show you where you’ll be living, then we can have that drink.’
I grab my bag from the boot and follow her. There is quite a grand stone portico to our right, but Thea walks around to the left where I see another door, which I presume is the one they usually use.
‘Boots off, please, dear,’ she says as we walk into a narrow entrance hall. There is a shoe rack to the left with nothing on it. I kick my boots off and put them on the rack, cross with myself that the only footwear I have brought is the pair of ankle boots with heels that I was wearing. I’ll just have to go barefoot in the house.
Thea leaves her sensible shoes by the door, slides her feet into a pair of slippers, and I follow her through into a dark, narrow passageway. There are no windows, the only light coming from dim wall lamps, and to my right I see three doors, all closed. To my left is a staircase, and Thea heads for it. At the top of the first flight another door faces us, but we turn away and keep climbing, finally coming out onto a small landing with a tiny window. There are doors everywhere, but Thea moves straight ahead into another long, windowless corridor towards the last room on the left.
‘Here you are,’ she says, flinging the door open and standing back. She’s waiting for my response, and she won’t be disappointed. I look into a beautiful large bedroom with a wide bay window and a fireplace on the opposite wall. Despite the overwhelming use of pink, it is stunning, and I turn to her and shake my head.
‘Am I really sleeping here?’ I ask, and she laughs.
‘Come on, I’ll show you the rest of this floor. You’ve got it all to yourself.’
I dump my suitcase and follow her out. There’s another smaller bedroom next door, then an amazing bathroom with an old fashioned roll-top bath in the centre.