Back Come A Little Closer
Chapters (80)
  1. Title Page
  2. Copyright Page
  3. CONTENTS
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. CHAPTER 56
  61. CHAPTER 57
  62. CHAPTER 58
  63. CHAPTER 59
  64. CHAPTER 60
  65. CHAPTER 61
  66. CHAPTER 62
  67. CHAPTER 63
  68. CHAPTER 64
  69. CHAPTER 65
  70. CHAPTER 66
  71. CHAPTER 67
  72. CHAPTER 68
  73. CHAPTER 69
  74. CHAPTER 70
  75. A LETTER TO MY READERS
  76. ABOUT THE AUTHOR
  77. ALSO BY RACHEL ABBOTT
  78. OTHER NOVELS BY RACHEL ABBOTT
  79. ACKNOWLEDGEMENTS
  80. READING GROUP QUESTIONS

She has a photograph in her hands, and I’m sure it must be the one of Paul, but as I get closer I see it’s of a girl and a woman. The picture is old, judging by the clothes they are wearing. I guess it was taken in the late 1960s or ’70s based on the short pleated skirt, the over-fussy blouse and the flicked-back fringe of the girl.

‘Is one of these women your mum?’ I ask, assuming she took this photograph when she stole her diary.

She shakes her head and puts the picture down on the pillow, away from me. I take a seat at the end of the bed.

‘And the picture of the man?’ I ask.

I sit quietly when she doesn’t immediately answer, hoping to gain her trust. I ignore the photo on the pillow; all I care about is the picture of Paul from the boat and why she has it. How is he involved in all this? I’m trying to think of how to phrase the question without her feeling that I’m interrogating her, but to my surprise she speaks unprompted.

‘Nathan,’ she says, and I give her a puzzled glance. ‘The photo is of Nathan, he’s my brother.’

I don’t understand. I’m certain the man in the photo is Paul.

‘I’m sorry,’ I say. ‘He looks like a man I met on a holiday to Myanmar recently – the one where I met Thea and the doctor – but his name was Paul.’

For the first time I get an instant response, and I can see she is trying to fight her way through the fog in her brain. ‘Paul? That’s Nathan’s middle name. Are you sure it was him?’

I nod. I’m as sure as I can be. I would recognise that hooked nose and the beady eyes anywhere. Strange as the arrangement of features sounds, he was oddly attractive – or would have been if he hadn’t terrified me with his questions and his staring.

‘Why was he on that boat?’ she asks. ‘Maybe he got my letter.’

I have no idea what she’s talking about, but she’s shaking her head furiously, her eyes screwed up tightly. For the first time it seems she wants to think clearly, but she can’t.

‘What’s your name?’ she asks, mimicking the question I asked her earlier. I’m frustrated by the change of subject, but I answer.

‘It’s Callie,’ I tell her. ‘Callie Baldwin. Are you going to tell me yours?’

‘Hannah,’ she says, so quietly that I have to ask her to repeat it to make sure I heard her correctly.

‘You said that your brother may have got your letter. What letter, Hannah?’ I ask, and it’s almost as if hearing her real name – possibly for the first time in months – shocks her into reality.