Chapters (80)
- Title Page
- Copyright Page
- CONTENTS
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- A LETTER TO MY READERS
- ABOUT THE AUTHOR
- ALSO BY RACHEL ABBOTT
- OTHER NOVELS BY RACHEL ABBOTT
- ACKNOWLEDGEMENTS
- READING GROUP QUESTIONS
She drops her head, clearly not wanting to tell me.
‘I’m not going to tell tales, you know,’ I say softly. ‘But I want to understand the whole set-up because at the moment I’m not comfortable with how it all works. Please, trust me?’
She is quiet for a moment longer. ‘I went upstairs when they were away.’
I don’t speak, scared that anything I say will throw her and stop her talking.
‘I learned the combination for the keypad by the door. I’ve got an ear for a tune – I used to be a pianist, quite a good one. Anyway, they went away for a while just before you came. I worked out which numbers had to be pressed and in which order from the sounds made by the keys. Do you understand what I mean?’
I know exactly what she means.
For a moment I am puzzled about Thea and Garrick going away. Then I realise it must have been when they were with me, in Myanmar. It’s hard to believe they left the girls here on their own.
‘What did you do about food? Didn’t you try to run away?’
For a moment she looks terrified. ‘It wasn’t a problem. Thea left all the meals in the freezer. They were labelled for each day. And why would I run away? They’re helping us. But I was worried there might be a fire or something and we would be trapped, so I wanted to know how to get out if that happened. And then…well, once I was in the house and I knew they wouldn’t catch me, I was curious and went snooping. I found where Thea had hidden all of my things. Everything was still there. My phone, my house keys, my credit cards, my cash – even my passport. I only took the diary. I don’t suppose she’ll ever check.’
‘Why would she have your passport?’
The girl shrugged. ‘Perhaps it was in my handbag. I don’t remember. Maybe I had planned to smuggle the baby out of the country. It all seems so unreal, so impossible.’
This feels so wrong to me.
‘Why can’t we have our own things – diary, purse, make-up, clothes that fit?’ I indicate the baggy tracksuit bottoms and T-shirt I’m wearing.
‘It’s all part of the doctor’s regime of trust,’ she says with a shrug. ‘We have to trust them, and they us. For that to be effective we need to reject our former life and everything that came with it.’
I don’t know what to say to this. The doctor has talked to me about trust, but this is extreme. It doesn’t feel like trust; it feels like dependence.
‘You’ll learn,’ she says. ‘The doctor has some rituals that help us with trust. They’re part of the treatment. He says I remind him of someone. I have her gentle hands.’