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Chapters (80)
  1. Title Page
  2. Copyright Page
  3. CONTENTS
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. CHAPTER 56
  61. CHAPTER 57
  62. CHAPTER 58
  63. CHAPTER 59
  64. CHAPTER 60
  65. CHAPTER 61
  66. CHAPTER 62
  67. CHAPTER 63
  68. CHAPTER 64
  69. CHAPTER 65
  70. CHAPTER 66
  71. CHAPTER 67
  72. CHAPTER 68
  73. CHAPTER 69
  74. CHAPTER 70
  75. A LETTER TO MY READERS
  76. ABOUT THE AUTHOR
  77. ALSO BY RACHEL ABBOTT
  78. OTHER NOVELS BY RACHEL ABBOTT
  79. ACKNOWLEDGEMENTS
  80. READING GROUP QUESTIONS

I don’t know if I believe her or not. I feel I should be grateful for the fact that they are helping me – hiding me – but why do they have to drug me? I can’t ask that question. It might be the last straw. She might throw me out, and I’m not ready for that.

I follow Thea down the hall into a part of the house I haven’t visited before. We walk down a short corridor and she knocks on a door.

‘Come,’ a gruff voice calls.

Thea pushes open the door, and I know where we are. We’re in the doctor’s private study. It is a parody of every psychiatrist’s consulting room ever seen in the movies: dark red walls lined with shelves full of leather-covered tomes, a chaise longue and a comfortable chair for the therapist. I am tempted to laugh, but I realise how inappropriate it would be. Maybe I’m hysterical.

I stand silently, waiting to be told what to do, my hands hanging limply at my sides, my head bent slightly. I can just see the doctor if I lift my eyes.

‘Sit,’ he says. He glares at Thea as if blaming her for something, then nods his head to dismiss her and she backs out of the door.

I shuffle across the room and sit down nervously on the edge of the leather chaise, tucking my hands under my thighs. I know I’m supposed to be a lot less aware of my surroundings than I am, and although Thea might have noticed, I don’t want the doctor to.

He ignores me as he studies a page in one of his books. It’s making me even more nervous, and I’m sure he’s doing it on purpose. After what seems like ages, he speaks.

‘Lie down,’ he says. ‘Close your eyes.’

I don’t want to. I know the idea is that it will make me relax, but it won’t. It will make me feel vulnerable. Why would anyone think it a good thing for someone who has been traumatised to be flat on their back with their eyes closed in a dimly lit room with a man they barely know? I can’t imagine the doctor has any motive other than to help me sort out my mental state, but I’m not going to close my eyes, no matter what he says.

I hesitate for a moment too long, and under my hooded lids I see his eyes narrow. I’m giving this simple instruction too much thought for one who should be lightly tranquillised, so I do as he asks, slowly lowering myself, my movements languid. I keep my eyes averted so he can’t see my pupils.