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Chapters (64)
  1. Cover
  2. About the Author
  3. Dedication
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-One
  25. Chapter Twenty-Two
  26. Chapter Twenty-Three
  27. Chapter Twenty-Four
  28. Chapter Twenty-Five
  29. Chapter Twenty-Six
  30. Chapter Twenty-Seven
  31. Chapter Twenty-Eight
  32. Chapter Twenty-Nine
  33. Chapter Thirty
  34. Chapter Thirty-One
  35. Chapter Thirty-Two
  36. Chapter Thirty-Three
  37. Chapter Thirty-Four
  38. Chapter Thirty-Five
  39. Chapter Thirty-Six
  40. Chapter Thirty-Seven
  41. Chapter Thirty-Eight
  42. Chapter Thirty-Nine
  43. Chapter Forty
  44. Chapter Forty-One
  45. Chapter Forty-Two
  46. Chapter Forty-Three
  47. Chapter Forty-Four
  48. Chapter Forty-Five
  49. Chapter Forty-Six
  50. Chapter Forty-Seven
  51. Chapter Forty-Eight
  52. Chapter Forty-Nine
  53. Chapter Fifty
  54. Chapter Fifty-One
  55. Chapter Fifty-Two
  56. Chapter Fifty-Three
  57. Chapter Fifty-Four
  58. Chapter Fifty-Five
  59. Chapter Fifty-Six
  60. Chapter Fifty-Seven
  61. Chapter Fifty-Eight
  62. Chapter Fifty-Nine
  63. Epilogue
  64. Acknowledgements

Is this what The Girl wants to read? I’m honestly not sure. Because when Harri talks about The Girl, it’s not a woman I recognise. We all seem to be writing for a young woman who seems sneery, stuck-up, difficult to impress.

I know how magazines work. We need to make out that we’re writing for this glossy, confident audience, because glossy, confident people like buying things. Even so, I believe The Girl is much more vulnerable and uncertain than Harri thinks she is, and that’s the reader I want to speak to. The reader who needs us the most. The messages are becoming increasingly alarming. ‘Hi Imogen, I loved your piece about festival sex—but I’m not body confident. How can I go to outdoor events and feel sexy when I’m so ashamed of the size of my thighs?’

‘This is for Imogen—could she write back and tell me how she manages to be confident on TV? I’m giving a presentation at work, and I’m so scared, I haven’t been sleeping. Hoping she has some tips!’

‘Dear Imogen, I’ve tried everything in your dating profile feature but I’m still not getting any matches, can you reply and tell me what I’m doing wrong? I think lip fillers might help?’ Then there are the ones—hundreds of them, every week—who think that all they want is to come and work at The Know. ‘I know I don’t have much experience, but I’m really organised and passionate,’ or ‘Ever since I was little, I’ve dreamed about writing, and at the moment, the only chance I have to be creative is when I write the company newsletter.’ ‘I’ve applied for so many jobs, and I never even get an email of acknowledgement.’ ‘I know twenty-eight seems a bit too old to do work experience but I’ve been saving my holiday allowance, and I really think…’

It’s heartbreaking. Some days, I wish we could give them all jobs. Some days, I feel like weeping with rage. It took me years, and years, to get here, and I never sent emails like this. I’ve worked to work, taking on as many minimum wage night jobs as I could, in order to pay for the privilege of working for free. Even so, I’m in debt. I’ve slept on so many floors that I have permanently twisted a nerve behind one of my shoulder blades. I’ve been treated like shit, and I’ve cried, and I’ve felt very, very hungry.