Back Bad Friends
Chapters (59)
  1. Bad Friends
  2. Copyright
  3. Dedication
  4. Epigraph
  5. AFTER: DECEMBER
  6. BEFORE: JUNE
  7. Chapter One
  8. Chapter Two
  9. Chapter Three
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Chapter Thirty-Five
  42. Chapter Thirty-Six
  43. Chapter Thirty-Seven
  44. Chapter Thirty-Eight
  45. Chapter Thirty-Nine
  46. Chapter Forty
  47. Chapter Forty-One
  48. Chapter Forty-Two
  49. Chapter Forty-Three
  50. Chapter Forty-Four
  51. Chapter Forty-Five
  52. Chapter Forty-Six
  53. Chapter Forty-Seven
  54. Chapter Forty-Eight
  55. A CONVERSATION WITH CLAIRE SEEBER
  56. ACKNOWLEDGMENTS
  57. About the Author
  58. By the same author:
  59. About the Publisher

A: They say write what you know – and whilst I don’t necessarily always agree with this (I’ve never had a baby stolen, or been stalked, thank goodness), I think it helps to use locations you can write about convincingly to create atmosphere. South-East London where I grew up appears in both my books – it’s a rich area for a writer – pockets of refinement beside deprivation. I always knew BF would be split between London – the hub of TV-land – and Cornwall, one of my favourite places in the world. It was important for the story that Maggie had somewhere to run to – somewhere she felt safe; and my own enforced separation from the sea means I can write about Cornwall nostalgically.

Q: Did you have anyone in mind as inspiration when you created Maggie, Alex and Seb? Who do you think could play them in a movie?

A: Maggie is mainly fictitious, but I guess there are elements of me in her. Seb I have never met (please draw your own conclusions!), whilst Alex is inspired not by an ex-boyfriend but partly by someone I once knew, a long long time ago! How about Sally Hawkins to play Maggie? Sienna Miller could play Bel, I think – or skinny Serena! Seb – James McAvoy or Dominic Cooper? And Alex – well, my favourite film-star of the moment is Casey Affleck – he may be a little on the short side, and he’s American of course, but I’m sure he’d be happy to practise his British accent! Or what about Andrew Buchan from The Fixer?

Q: Do you draw upon your own experiences with family and friends as you create characters and plots?

A: I think any writer would be lying if they said they never drew on personal experience, but I certainly don’t start with family or friends as the basis for characters, although sometimes little bits of people I’ve met might creep in somewhere. A trigger for Lullaby was a real-life incident when I got separated from my baby son, but it was only a trigger. In BF, obviously my career as a TV director meant I understood the workings of that world, and I wanted to write about the responsibility we have towards the people we rely on to be in our programmes. Fortunately the rest of the book is definitely invented!

Q: Which writers do you particularly admire? What kinds of books have inspired you?