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Contents ( 50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

Even the biologist had done it, creating a pattern out of what might be random—correlating eccentric owl behavior with her lost husband. When it might have been the evidence of, the residue of, some other ritual entirely—and thus her account of the owl no more on target than her assertions about the S&SB. You could know the what of something forever and never discover the why.

The allure of the island lay in its negation of why—both for the biologist and, Ghost Bird guessed, for Grace, who had lived here with this knowledge for almost three years, as it ate at her. Ate at her still, the relief of companions having done nothing to take the edge off, Ghost Bird observing her from the window and wondering if she still withheld some vital piece of information—that her watchfulness and the evidence that she didn’t sleep well provided the outline of a different, undisclosed why.

She felt so apart from both of them in that moment, as if the knowledge of how far they might be from Earth, of how time passed, ruthless, had pushed them away, and she was looking at them from the border—peering in through the shimmering door.

Control had started to return to safe ground of subjects like the lighthouse keeper, like Central. So there wouldn’t be galaxies bursting in his brain like fireworks and the Southern Reach become a redoubt of Area X and humans turning into creatures with a purpose known only to the stitching in the sky, perhaps.

“Central kept the island a secret all this time. Central buried it, buried the island, just kept sending expeditions out here, to this … this fucking ugly place, this place that isn’t really even where it’s supposed to be, this fucking place that just keeps killing people and doesn’t fucking even give you the chance to fight back because it’s always going to win anyway and the …” Control couldn’t stop. He wasn’t going to stop. All he might do is pause, trail off, and then take it up again.

So after a time, Ghost Bird stopped him. She knelt beside him, gently took the biologist’s letter and journal from him. She placed her arms around Control and held him, while Grace looked elsewhere in embarrassment, or a suppression of her own need for comfort. He thrashed in Ghost Bird’s arms, resisting, her feeling the preternatural warmth of him, and then eventually he subsided, stopped fighting, held her loosely, then held her tightly while she said not a word because to say anything—anything at all—would be to humiliate him, and she cared more about him than that. And it cost her nothing.

When he was still, she disengaged, stood, directed her attention to Grace. There was still a question to ask. With no sound from the querulous nesting birds or, indeed, much sound at all intruding beyond the waves and wind, their own breathing, and Grace rolling a can of beans back and forth with her foot.