Contents ( 50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
Membranes and dimensions. Limitless amounts of space. Limitless amounts of energy. Effortless manipulation of molecules. Continual attempts to transform the human into the non-human. The ability to move an entire biosphere to another place. Right now, if the outside world existed, it would still be sending radio-wave messages into space and monitoring radio-wave frequencies to seek out other intelligent life in the universe. But Ghost Bird didn’t think those messages were being received. Another way people were bound by their own view of consciousness. What if an infection was a message, a brightness a kind of symphony? As a defense? An odd form of communication? If so, the message had not been received, would probably never be received, the message buried in the transformation itself. Having to reach for such banal answers because of a lack of imagination, because human beings couldn’t even put themselves in the mind of a cormorant or an owl or a whale or a bumblebee.
Did she want to ally herself to such a lack, and did she have a choice?
From the window the low buildings were revealed as facades: bruised and ruined cinder-block houses with the roofs gone, vines bursting out, and the worn white paint of the sides that lay in grainy despondency, unable to contain the tangled green. In among that unintended terrarium: a row of little crosses stuck in the soil, fresh enough to have been bodies buried by Grace. Perhaps she’d lied and a handful of others had followed her over to the island, only to meet some fate Grace had avoided. She’d heard almost the entire conversation between Control and Grace, had been ready to intervene if Grace had not taken the gun from Control’s head. No one could drug her if her body didn’t want it done. She wasn’t built like that. Not anymore.
But she didn’t like the view, felt some kind of instinctual discomfort at the sight of the damaged road, the “scrapes” on the forested hills that looked less like clearings in the late-afternoon sun and more like a kind of violence. The seaward window looked out on calm seas and a mainland rendered normal and perhaps even ordinary. Yet the distance disguised the havoc wreaked on the convoy.
Behind her, Grace and Control talked, but Ghost Bird had disengaged. It was a circular discussion, a loop that Control was creating to trap himself inside of, to dig the trenches, the moat, that would keep things out. How is this possible, how is that possible, and why—agonizing over both what he knew or thought he knew and what he could never, ever know.
She knew where it would all lead, what it always led to in human beings—a decision about what to do. What are we going to do? Where do we go from here? How do we move forward? What is our mission now? As if purpose could solve everything, could take the outlines of what was missing and by sheer will invoke it, make it appear, bring it back to life.