Contents ( 50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
She says, “It’s a fallacy for you, a total stranger, to project onto me the motives and emotions you think are appropriate. To think you can get inside my head.”
You can’t share with her that the other candidates have been easy to read. The surveyor will be the meat-and-potatoes backbone of the expedition, without a trace of passive-aggressiveness. The anthropologist will provide empathy and nuance, although you’re not sure whether her need to prove herself is a plus or a minus. She’ll push herself further, harder because of that, but what will Area X think of that? The linguist talks too much, has too little introspection, but is a recruit from within the Southern Reach and has demonstrated absolute loyalty on more than occasion. Lowry’s favorite, with all that entails.
Before the interview, you met with Whitby, who had rallied for this discussion, in your office, amid the increasing clutter. It was the biologist you talked about the most, the importance of keeping her paranoid and isolated and antisocial, how there’s a shift in the biochemistry of the brain, naturally arrived at, that might be what Lowry’s secret experiments are trying to induce artificially—and since her husband has already gone to Area X, “been read by it,” this represents a unique opportunity “metrics-wise” because of “that connection,” because “it’s never happened before.” That, in a sense, the biologist had forged a relationship with Area X before ever setting foot there. It might lead to what Whitby calls “a terroir precognition.”
An expedition into Area X with the biologist would be different than with Whitby. You wouldn’t lead, except in the way at the store as a teenager you sometimes walked ahead of your dad so you wouldn’t seem to be with him, but always with a look back at him, to see where he was going.
As the questioning continues, you’re more and more certain of what you feel in your gut. You are reminded of Area X somehow. The biologist reminds you of being in Area X.
The rest of the biologist’s file is breathtaking in its focus, its narrowness, and yet fecund despite that. You’re driving across the desert with her, in a tiny car, to check out the holes made by burrowing owls. You’re lost on a plateau above an untouched coastline, stalked by a cougar, a place where the grass is the color of gold and reaches up to your knees and the trees are blackened by fire, silver-gray with ash. You’re hiking up a mountain in scrubland, up huge blocks of stone, every muscle in your legs protesting even as you’re possessed by a wild giddiness that keeps you moving past exhaustion. You’re back with her during her first year of college, when she made a rare confession to a roommate that she wanted isolation and moved out the next day to her own apartment and walked the five miles from campus home in utter silence, receiving the world through a hole in her shoe.