Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
“A strange thing,” Henry said. Where before he had been indistinct, hurting, in need of succor, now he had snapped back into focus. “A strange thing to kill yourself. I thought maybe it was a kind of wraith. But maybe Suzanne was right instead.”
“Who are you?”
Ignoring him: “I found it, Saul, like I said I would. Or it found me. Only, it wasn’t what I thought. Do you know what it is, Saul?” Almost pleading.
There was no good answer to Henry’s question.
He took two steps toward Henry, as if he were watching someone else do it. He was an albatross, floating motionless in a high-above trough of air, gliding beneath the clouds with their dark underbellies, a coordinate of shadow and light that kept moving, a roving latitude and longitude, and far, far below, stood Saul and Henry, in the lantern room.
Saul took a third step, the plant a beacon in his head.
A fourth step and Henry shot him in the shoulder. The bullet penetrated and passed through, and Saul didn’t feel a thing. Saul was still floating far above, intent on navigation, on riding thermals, an animal that hardly ever came down to land but just kept flying and flying.
Saul rushed Henry, rammed his bleeding shoulder into Henry’s chest, and the two of them staggered, grappling out the door and toward the railing, Henry’s gun spinning out of his hand and across the floor. So close, staring into Henry’s eyes, Saul had the sense of the man being at a remove, a time delay—a gap or distance between receipt, acknowledgment, and response: a message coming to him from very far away. As if Henry were dealing with some other, completely different situation … while on some level still able to appraise him, to judge him. When you hide your face, they are terrified; when you take away their breath, they die and return to the dust.
Because Henry was drawing them both to the railing. Because Henry had a firm grip on him and was drawing them both to the railing. Except Henry was saying to Saul, “What are you doing?” But Saul wasn’t doing it, Henry was and didn’t seem to realize it.
“It’s you,” the albatross managed to say. “You’re doing it, not me.”
“No, I’m not.” Henry beyond panic now, writhing and trying to get loose, but still leading them to the railing, fast now, and Henry begging him to stop what he could not stop. Yet Henry’s eyes did not send out the same message as his words.
Henry hit the railing—hard—and Saul a second later, swung to the side by momentum, and then they both went over, and only then, when it was too late, did Henry let go, the wind ripping screams from his throat, and Saul plummeted beside him through the cold empty air—falling too fast, too far, while a part of him still looked down from above.
The surf, like white flames surging and questing across the sand.