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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

Other, perhaps, than the owl.

04: THE OWL

Did I find my husband? In a way, if not in the form in which I had known him. On the far side of the island, in the late afternoon, after I had burst through nettles and scrub and sticker, lacerating long grasses, all of it overshadowed by close-knit copses of wind-gnarled black pines—burst through to a tranquil cove that cupped a white-sand beach and shallows that extended a fair distance before the darkness of deep water took over. On the beach, a scattering of low-lying concrete pilings and rocks, all that remained of an abandoned pier from another age, created a perch for more than a dozen cormorants.

A single stunted pine the height of a person stood defiant amid rocks and cormorants alike, blackened and almost bare of needles. On one outstretched branch, the unlikely silhouette of a common horned owl with sharp tufted ears: rustbrown face with white feathers at chin and throat, mottled gray-and-brown body. My loud approach should have alarmed it, but this owl just perched there, surrounded by the cormorants sunning themselves. An unnatural scene, to me, and it brought me up short.

I thought at first the owl must be hurt, more so when I came closer and it still didn’t move, unlike the whirling circle of cormorants that, complaining bitterly, flew away, a long low line over the water, exiled to rove, restless. Any other owl would have taken wing and disappeared back into the forest. But instead, it remained glued to the ridged, scaly bark of the branch, staring out at the fading sun with enormous eyes.

Even when I stood right beside the tree, awkward on the rocks, the owl did not fly, did not look over at me. Injured or dying, I thought again, but cautious, ready to retreat, because an owl can be a dangerous animal. This one was huge, four pounds at least, despite its hollow bones, lightweight feathers. But nothing I had done had yet provoked it, and so I stood there as the sun began to set, the owl beside me.

I had studied owls early in my career and knew that neuroses were unknown among them as opposed to other, more intelligent bird species. Most owls are also beautiful, along with another quality that is hard to define but registers as calm in the observer. There was such a hush upon that beach, and one that didn’t register with me as sinister.

At dusk, the owl turned its fierce yellow gaze upon me at last, and with the tip of its outstretched wing brushing against my face, the bird launched itself into the air in a smooth, silent arc that sent it off toward the forest behind me. Forever gone, or so I believed, with any of a number of reasons to account for its odd behavior. The lines between the eccentricities of wildlife and the awareness imposed by Area X are difficult to separate at times.