Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
Other, perhaps, than the owl.
04: THE OWL
Did I find my husband? In a way, if not in the form in which I had known him. On the far side of the island, in the late afternoon, after I had burst through nettles and scrub and sticker, lacerating long grasses, all of it overshadowed by close-knit copses of wind-gnarled black pines—burst through to a tranquil cove that cupped a white-sand beach and shallows that extended a fair distance before the darkness of deep water took over. On the beach, a scattering of low-lying concrete pilings and rocks, all that remained of an abandoned pier from another age, created a perch for more than a dozen cormorants.
A single stunted pine the height of a person stood defiant amid rocks and cormorants alike, blackened and almost bare of needles. On one outstretched branch, the unlikely silhouette of a common horned owl with sharp tufted ears: rustbrown face with white feathers at chin and throat, mottled gray-and-brown body. My loud approach should have alarmed it, but this owl just perched there, surrounded by the cormorants sunning themselves. An unnatural scene, to me, and it brought me up short.
I thought at first the owl must be hurt, more so when I came closer and it still didn’t move, unlike the whirling circle of cormorants that, complaining bitterly, flew away, a long low line over the water, exiled to rove, restless. Any other owl would have taken wing and disappeared back into the forest. But instead, it remained glued to the ridged, scaly bark of the branch, staring out at the fading sun with enormous eyes.
Even when I stood right beside the tree, awkward on the rocks, the owl did not fly, did not look over at me. Injured or dying, I thought again, but cautious, ready to retreat, because an owl can be a dangerous animal. This one was huge, four pounds at least, despite its hollow bones, lightweight feathers. But nothing I had done had yet provoked it, and so I stood there as the sun began to set, the owl beside me.
I had studied owls early in my career and knew that neuroses were unknown among them as opposed to other, more intelligent bird species. Most owls are also beautiful, along with another quality that is hard to define but registers as calm in the observer. There was such a hush upon that beach, and one that didn’t register with me as sinister.
At dusk, the owl turned its fierce yellow gaze upon me at last, and with the tip of its outstretched wing brushing against my face, the bird launched itself into the air in a smooth, silent arc that sent it off toward the forest behind me. Forever gone, or so I believed, with any of a number of reasons to account for its odd behavior. The lines between the eccentricities of wildlife and the awareness imposed by Area X are difficult to separate at times.