Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
You feel the tug and pull on your skin, the brief incisive line, as the biologist takes a sample from your infected shoulder. From a great and insurmountable distance, searching hands descend as the biologist goes through your jacket pockets. She finds your journal. She finds your hidden gun. She finds your pathetic letter. What will she make of them? Maybe nothing at all. Maybe she’ll just throw the letter into the sea, and the gun with it. Maybe she’ll waste the rest of her life studying your journal.
She’s still talking.
“I don’t know what to say to you. I’m angry. I’m frightened. You put us here and you had a chance to tell me what you knew, and you didn’t. You wouldn’t. I’d say rest in peace, but I don’t think you will.”
Then she’s gone, and you miss her, that weight of a human being beside you, the perverse blessing of those words, but you don’t miss her for long because you are fading further still, fading into the landscape like a reluctant wraith, and you can hear a faint and delicate music in the distance, and something that whispered to you before is whispering again, and then you’re dissolving into the wind. A kind of alien regard has twinned itself to you, easily mistaken for the atoms of the air if it did not seem somehow concentrated, purposeful. Joyful?
Taken up over the still lakes, rising up across the marsh, flickering up in green-glinting reflections against the sea and the shore in the late-afternoon sun … only to wheel and bank toward the interior and its cypress trees, its black water. Then sharply up into the sky again, taking aim for the sun, the lurch and spin of it, before free fall, twisting to stare down at the onrushing earth, stretched taut above the quick flash and slow wave of reeds. You half expect to see Lowry there, wounded survivor of the long-ago first expedition, crawling toward the safety of the border. But instead there is just the biologist trudging back down the darkening path … and waiting beyond her, mewling and in distress, the altered psychologist from the expedition before the twelfth. Your fault as much as anyone’s, your fault, and irrevocable. Unforgivable.
As you curve back around, the lighthouse fast approaches. The air trembles as it pushes out from both sides of the lighthouse and then re-forms, ever questing, forever sampling, rising high only to come low yet again, and finally circling like a question mark so you can bear witness to your own immolation: a shape huddled there, leaking light. What a sad figure, sleeping there, dissolving there. A green flame, a distress signal, an opportunity. Are you still soaring? Are you still dying or dead? You can’t tell anymore.
But the whisper isn’t done with you yet.
You’re not down there.
You’re up here.
And there’s still an interrogation going on.
One that will repeat until you have given up every answer.