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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

In that context, I could not intervene, either, even as I watched the writhing of its perpetual distress. I would not end its misery, in part because I worked from incomplete data. I could not be sure of what it represented or what it was going through. Beneath what seemed to be pain might lie ecstasy—what remained of the human dreaming, and in that dream, comfort. There also came to me the thought that perhaps what this expedition member had brought to Area X had contributed to this final state.

This is what I can remember now, when memory begins to be interwoven with so many other considerations. In the end, I took a hair sample that proved as useless as any other—a consistency I suppose I should have admired but did not—and went back to my sad little fire out in the middle of a nowhere that was everywhere.

But this encounter did affect me in one way. I became resolved not to give in to the brightness, to give up my identity—not yet. I could not come to terms with the possibility that one day I might put aside my vigilance and become the moaning creature in the reeds.

Perhaps this was weakness. Perhaps this was just fear.

03: THE ISLAND

Soon enough, the island became a shadow or smudge on the seaward horizon, so I knew it was only a matter of days, even if I had trouble telling how much time was passing. The island that was as blank to me now as my husband had been upon his return. I knew nothing of what I might encounter there, and the reality of this sobered me, made me monitor the brightness more closely, fight it harder, as if, ridiculously, by the time I made it across, I had to be at my best, my most alert. For what? For a corpse I might find if I were lucky? For some memory of a life back in the world that we could now misremember as more placid and comfortable than it had been? I don’t know the answer to those questions, except that an organism’s primary directive is to continue to exist—to breathe and to eat and to shit and to sleep and to fuck, and to otherwise carry on with the joyous repetitions of its days.

I secured my backpack, and I dove into the water.

Anyone reading who likes stories about characters huddled around guttering fires with the wolves waiting just beyond will be disappointed to learn that I was not attacked by leviathans from the depths as I swam over to the island. That, although tired and cold, I easily set up living quarters in the ruined lighthouse waiting on the shore. That I found enough food there, over time, by catching fish and foraging for berries, digging up tubers that while bland were edible. I trapped small animals when I had to, planted my own garden using seeds from the fruit I found, fertilized it with homemade compost.