Contents (50)
- ACCEPTANCE
- JEFF VANDERMEER
- Dedication
- Table of Contents
- 000X: THE DIRECTOR, TWELFTH EXPEDITION
- PART I RANGE LIGHT
- 0001: THE LIGHTHOUSE KEEPER
- 0002: GHOST BIRD
- 0003: THE DIRECTOR
- 0004: THE LIGHTHOUSE KEEPER
- 0005: CONTROL
- 0006: THE DIRECTOR
- 0007: THE LIGHTHOUSE KEEPER
- 0008: GHOST BIRD
- 0009: THE DIRECTOR
- 0010: CONTROL
- PART II FIXED LIGHT
- 01: THE BRIGHTNESS
- 02: THE MOANING CREATURE
- 03: THE ISLAND
- 04: THE OWL
- 05: THE SEEKER & SURVEILLANCE BANDITS
- 06: THE PASSAGE OF TIME, AND PAIN
- PART III OCCULTING LIGHT
- 0011: GHOST BIRD
- 0012: THE LIGHTHOUSE KEEPER
- 0013: CONTROL
- 0014: THE DIRECTOR
- 0015: THE LIGHTHOUSE KEEPER
- 0016: GHOST BIRD
- 0017: THE DIRECTOR
- 0018: THE LIGHTHOUSE KEEPER
- 0019: CONTROL
- 0020: THE DIRECTOR
- 0021: THE LIGHTHOUSE KEEPER
- 0022: GHOST BIRD
- 0023: THE DIRECTOR
- 0024: THE LIGHTHOUSE KEEPER
- 0025: CONTROL
- 0026: THE DIRECTOR
- 0027: THE LIGHTHOUSE KEEPER
- 0028: GHOST BIRD
- 000X: THE DIRECTOR
- ACKNOWLEDGMENTS
- About the Author
- PRAISE FOR THE SOUTHERN REACH TRILOGY
- ALSO BY JEFF VANDERMEER
- Credits
- Copyright
- About the Publisher
In that context, I could not intervene, either, even as I watched the writhing of its perpetual distress. I would not end its misery, in part because I worked from incomplete data. I could not be sure of what it represented or what it was going through. Beneath what seemed to be pain might lie ecstasy—what remained of the human dreaming, and in that dream, comfort. There also came to me the thought that perhaps what this expedition member had brought to Area X had contributed to this final state.
This is what I can remember now, when memory begins to be interwoven with so many other considerations. In the end, I took a hair sample that proved as useless as any other—a consistency I suppose I should have admired but did not—and went back to my sad little fire out in the middle of a nowhere that was everywhere.
But this encounter did affect me in one way. I became resolved not to give in to the brightness, to give up my identity—not yet. I could not come to terms with the possibility that one day I might put aside my vigilance and become the moaning creature in the reeds.
Perhaps this was weakness. Perhaps this was just fear.
03: THE ISLAND
Soon enough, the island became a shadow or smudge on the seaward horizon, so I knew it was only a matter of days, even if I had trouble telling how much time was passing. The island that was as blank to me now as my husband had been upon his return. I knew nothing of what I might encounter there, and the reality of this sobered me, made me monitor the brightness more closely, fight it harder, as if, ridiculously, by the time I made it across, I had to be at my best, my most alert. For what? For a corpse I might find if I were lucky? For some memory of a life back in the world that we could now misremember as more placid and comfortable than it had been? I don’t know the answer to those questions, except that an organism’s primary directive is to continue to exist—to breathe and to eat and to shit and to sleep and to fuck, and to otherwise carry on with the joyous repetitions of its days.
I secured my backpack, and I dove into the water.
Anyone reading who likes stories about characters huddled around guttering fires with the wolves waiting just beyond will be disappointed to learn that I was not attacked by leviathans from the depths as I swam over to the island. That, although tired and cold, I easily set up living quarters in the ruined lighthouse waiting on the shore. That I found enough food there, over time, by catching fish and foraging for berries, digging up tubers that while bland were edible. I trapped small animals when I had to, planted my own garden using seeds from the fruit I found, fertilized it with homemade compost.