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Contents (50)
  1. ACCEPTANCE
  2. JEFF VANDERMEER
  3. Dedication
  4. Table of Contents
  5. 000X: THE DIRECTOR, TWELFTH EXPEDITION
  6. PART I RANGE LIGHT
  7. 0001: THE LIGHTHOUSE KEEPER
  8. 0002: GHOST BIRD
  9. 0003: THE DIRECTOR
  10. 0004: THE LIGHTHOUSE KEEPER
  11. 0005: CONTROL
  12. 0006: THE DIRECTOR
  13. 0007: THE LIGHTHOUSE KEEPER
  14. 0008: GHOST BIRD
  15. 0009: THE DIRECTOR
  16. 0010: CONTROL
  17. PART II FIXED LIGHT
  18. 01: THE BRIGHTNESS
  19. 02: THE MOANING CREATURE
  20. 03: THE ISLAND
  21. 04: THE OWL
  22. 05: THE SEEKER & SURVEILLANCE BANDITS
  23. 06: THE PASSAGE OF TIME, AND PAIN
  24. PART III OCCULTING LIGHT
  25. 0011: GHOST BIRD
  26. 0012: THE LIGHTHOUSE KEEPER
  27. 0013: CONTROL
  28. 0014: THE DIRECTOR
  29. 0015: THE LIGHTHOUSE KEEPER
  30. 0016: GHOST BIRD
  31. 0017: THE DIRECTOR
  32. 0018: THE LIGHTHOUSE KEEPER
  33. 0019: CONTROL
  34. 0020: THE DIRECTOR
  35. 0021: THE LIGHTHOUSE KEEPER
  36. 0022: GHOST BIRD
  37. 0023: THE DIRECTOR
  38. 0024: THE LIGHTHOUSE KEEPER
  39. 0025: CONTROL
  40. 0026: THE DIRECTOR
  41. 0027: THE LIGHTHOUSE KEEPER
  42. 0028: GHOST BIRD
  43. 000X: THE DIRECTOR
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. PRAISE FOR THE SOUTHERN REACH TRILOGY
  47. ALSO BY JEFF VANDERMEER
  48. Credits
  49. Copyright
  50. About the Publisher

Eventually I came out into a kind of clearing, an island of dirt covered in anemic grass and bounded by yet more reeds. At the far end, something pale and grub-like and monstrous flailed and moaned, its limbs pummeling the reed floor, the speed I had witnessed in the past seemingly now unavailable to it. I realized soon enough that it was sleeping.

The head was small compared to the body, but faced away from me, so all I could see was a thick wrinkled neck morphing into the skull. I still had a chance to leave. I had every reason to leave. I felt shaky, the resolve that had made me veer off the main trail evaporating. But something in its obliviousness made me stay.

I advanced, keeping my gun trained on the beast. This close, the moaning was deafening, the strange guttural tolling of a living cathedral bell. There was no way to be stealthy—the ground was strewn with dried reeds over the dirt and grass that crackled with my steps—and yet still it slept. I trained my flashlight on its bulk. The body had the consistency and form of a giant hog and a slug commingled, the pale skin mottled with mangy patches of light green moss. The arms and legs suggested the limbs of a pig but with three thick fingers at their ends. Positioned along the midsection near what I supposed was the stomach were two more appendages, which resembled fleshy pseudopods. The creature used them to help lurch its bulk along, but they often writhed pathetically and beat at the ground as if not entirely under its control.

I shone the flashlight on the creature’s head, that small pink oval backed by the too-thick neck. As the molting mask I’d found during my prior encounter suggested, it had the face of the psychologist from my husband’s expedition. And this face in its slumber formed a mask of utter uncomprehending anguish, the mouth open in a perpetual O as it moaned out its distress, as its limbs gouged at the ground, as it made its wounded, halting progress in what amounted to circles. Its eyes had a white film over them that told me it was blind.

I should have felt something. I should have been moved or disgusted by this encounter. Yet after my descent into the tower, my annihilation by the Crawler, I felt nothing. No emotion at all, not even simple, common pity, despite this raw expression of trauma, some agony beyond comprehension.

This beast should have been a dolphin with an uncanny eye, a wild boar that acted as if it were new to its body. And perhaps it was part of an intentional pattern, and I just could not see those outlines. But it looked like a mistake, a misfire by an Area X that had assimilated so much so beautifully and so seamlessly. Which made me wonder if my brightness was a harbinger of some form of this. To disappear into the coastline, into the anonymous reaches of the beach and the wind, or the marshes, did not really disturb me, perhaps never had. But this did—this blind, relentless questing. Had I tricked myself into believing that letting the brightness overtake me would be a painless, even beautiful, process? There was nothing beautiful about the moaning creature, nothing that didn’t seem a ghastly intervention.