They descended into the tower.

0020: THE DIRECTOR

Whitby’s worthless report on the blossom is on your desk by the time you go off to another pre-expedition interview of the biologist, the possible candidates for the twelfth whittled down to ten, and you and Grace, you and Lowry, pushing for your favorites, with members of the science department shadowboxing in the background as they whisper their own choices at you. Severance seems terminally uninterested in the question.

It’s not a good time to interview anyone but you don’t have a choice. The plant is blossoming again in your mind as you conduct the interview in a cramped little office in the biologist’s town—a place you’ve borrowed and can pretend is your own, with all of the appropriate psychological and psychiatric texts on the bookshelves. The diplomas and family pictures of the room’s true occupant have been removed. In a concession to Lowry, for his studies, you’ve allowed his people to swap out chairs, light fixtures, and other elements of the room, as if in redecorating and changing the color scheme from placid blues and greens to red, orange, and gray or silver there’s some answer to a larger question.

Lowry claims his arrangements and recombinations can have a “subliminal or instinctual” effect on the candidates.

“To make them feel secure and at ease?” you asked, a rare moment of poking the beast with a stick, but he ignored you, and in your head he was saying, “To make them do what we want.”

There’s the smell of water damage still, from a burst pipe in the basement. There’s a water stain in the corner, hidden by a little table, as if you need to cover up some crime. The only giveaway that it’s not your office: you’re cramped, stuffed into your chair.

The plant is blossoming in your mind, and each time it does there’s less time to work with, less you can do. Is the plant a challenge or an invitation or a worthless distraction? A message? And if so, what did it mean, assuming Whitby didn’t imagine it? The light at the bottom of a topographical anomaly, from a door into Area X, on the tarot card used by the Séance & Science Brigade. The blossoming light of an MRI body scan, the one you endured last week.

In the middle of all that blossoming in your brain, the kind of thing that would elicit a joke from Grace if only you could tell her, there, bestriding the world: the biologist, a talisman arriving just as everything is closing in again and your time has become more limited.

“State your name for the record.”

“I did that last time.”

“Nevertheless.”

The biologist looks at you like you’re an opponent, not the person who can send her where she so obviously wants to go. You note again not just the musculature of this woman but the fact that she’s willing to complicate even the simple business of stating her name. That she has a kind of self-possession that comes not just from knowing who she is but from knowing that, if it comes down to it, she needs no one. Some professionals might diagnose that as a disorder, but in the biologist it comes across as an absolute and unbending clarity.