Chapters (64)
- Cover
- Dedication
- 2008
- Chapter 1
- 2013
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- 2023
- Chapter 55
- ACKNOWLEDGMENTS
- CREDITS
- ABOUT THE AUTHOR
- What’s next onyour reading list?
I opened the door to Grandpa’s office and went in, turning on the light. The built-in desk was still covered with stacks of papers, and the project that Joan had been working on was still covered by a canvas at the end of the room. When I had come up here to find a picture for the memorial, I’d been focused on the wall of photos, but now I noticed several shoe boxes full of paper cubes on the counter. I stuck the picture of my grandparents back on the wall and went to look more closely at the cubes. They were about a half-inch square, and there were letters and numbers on them, sometimes typed and sometimes handwritten. I recognized Grandpa’s handwriting. Joan had made these cubes from his notes.
I looked over at the canvas-covered form. While Joan was alive, I would never have peeked, but someone was going to see this sooner or later. I crossed the room and carefully pulled off the canvas. Beneath it was a sculpture made of hundreds of those paper cubes. It was shaped like a head.
Downstairs I heard Dad and Analemma return. “Aria?”
“Up here,” I called.
The structure of the sculpture was so intricate, each cube fitted precisely into the ones around it. In one area, a math equation in Grandpa’s handwriting had been constructed across several cubes.
Dad and Analemma came upstairs and into Grandpa’s office, and Dad paused in the doorway.
“I think it’s a statue,” I said.
Dawning comprehension came over his face. “It’s my father. Come over here—you can see it better.”
I went to stand by him, and with more distance, the tiny paper cubes became part of a whole. I had been too close to see it clearly. Now I recognized Grandpa in profile: his high forehead, his prominent nose, even the shape of his hair.
“She wasn’t finished,” Dad said. “The back of his head isn’t done.”
He was right. It looked as if Joan had gotten about three-quarters of the way through the project, and the lower back portion of Grandpa’s head was missing.
“It’s over there,” I said, gesturing to the boxes of cubes. “That’s the rest of him.”
Dad picked up a cube and examined it. “I wonder if she was going to paint the sculpture, too.”
“It would cover the handwriting. So probably not, right?”
He went to the sculpture and turned it to face us. From this angle, you couldn’t see the missing portion of Grandpa’s head.