Back A Scatter of Light
Chapters (64)
  1. Cover
  2. Dedication
  3. 2008
  4. Chapter 1
  5. 2013
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. 2023
  60. Chapter 55
  61. ACKNOWLEDGMENTS
  62. CREDITS
  63. ABOUT THE AUTHOR
  64. What’s next onyour reading list?

Tasha and I followed them down the plaza toward the concrete band shell at the far end. A crowd was already forming. A big banner that read SAN FRANCISCO QUEER MUSIC FEST 2013 hung over the stage, and when she saw it, Tasha took my arm and dragged me to a halt.

“Queer music fest?” she whispered. “You didn’t tell me.”

“Is it okay? The band that Steph’s in is—they’re all queer.”

Tasha narrowed her eyes. “Yeah, it’s fine.” She glanced at Mel and Lisa, who had gone ahead without us toward the front of the crowd. “They’re queer, too?”

“Yeah.” I hesitated. “Lisa is Steph’s girlfriend. Steph is Joan’s gardener.”

Tasha gave me a sharp look. “Somehow you’ve been spending your summer with all these lesbians and you didn’t mention it to me?”

I tried to shrug it off. “It didn’t seem relevant. It’s not like I knew about you and Haley.”

Tasha relented. “True. Okay, let’s go to a queer music festival.”

—

Roxy and Steph were magnetic onstage. Roxy was wearing a white ribbed tank top and a stretchy black miniskirt over hot-pink fishnets and her boots, and as she sang she kept sliding her eyes toward Steph, who was circling her like a tiger. There was an unmistakable connection between them, and the way Roxy looked at Steph, that hungry glint in her eyes, would make anyone think they were together—or were about to be. Steph was in jeans and scuffed boots and a black muscle shirt, the white electric guitar glossy in her hands as she played toward the sway of Roxy’s hips. Every so often Steph would step up to her own mic to sing backup, but when they got to “Twenty-One,” I realized it was a duet. By the end of the song, Roxy and Steph were singing into the same microphone, their faces so close together they’d barely have to move to be kissing.

At the beginning of Madchen’s set, we were on the side of the crowd, but soon we were all surging into the pit in front of the stage to yell and dance to the music. I was mesmerized by the chemistry between Steph and Roxy. It felt like a luxury to be able to look at Steph in public, because everyone else was looking, too. Once, I glanced at Lisa and saw her watching Steph and Roxy’s performance with an increasingly frosty expression, and even though I had no right to feel sorry for her, I did. I could understand why Lisa would be jealous of Roxy, but to me jealousy seemed pointless here. Roxy and Steph were putting on a show, and it was a good one. I remembered the picture of my mother dressed up as Carmen, the look in her eye like the one in Roxy’s. It was more than permission to watch, it was an invitation.

—