Back When We Were Bright and Beautiful
Chapters (72)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Part One
  5. 1
  6. 2
  7. 3
  8. 4
  9. 5
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. 11
  16. 12
  17. 13
  18. 14
  19. 15
  20. 16
  21. 17
  22. 18
  23. 19
  24. Part Two
  25. 20
  26. 21
  27. 22
  28. 23
  29. 24
  30. 25
  31. 26
  32. 27
  33. 28
  34. 29
  35. 30
  36. 31
  37. 32
  38. 33
  39. 34
  40. 35
  41. 36
  42. Part Three
  43. 37
  44. 38
  45. 39
  46. 40
  47. 41
  48. 42
  49. 43
  50. 44
  51. 45
  52. 46
  53. 47
  54. 48
  55. 49
  56. 50
  57. 51
  58. 52
  59. 53
  60. 54
  61. 55
  62. 56
  63. 57
  64. 58
  65. 59
  66. 60
  67. Epilogue
  68. Author’s Note
  69. Acknowledgments
  70. About the Author
  71. Also by Jillian Medoff
  72. About the Publisher

Lawrence digs two fingers into my bowl, scoops out more berries, and slides the juicy clump into his mouth. Grinning, he shows off stained lips and teeth.

I don’t laugh. He’s right: I am angry. I’m infuriated. My anger may be disproportionate to the crime, but it feels righteous. “Lawrence, gross! You’re repulsive.”

Repulsive. The word distracts me. When I was a child, if a word was multisyllabic and sounded grown-up, I repeated it incessantly. He’s repulsive. The word reminds me of something, a movie? A picture? An image seeps in, a flicker of light from below a closed door. A man and a woman on a bed. The woman’s legs are open. Repulsive. The man is standing above her, holding his—He’s so repulsive. My skin twitches. I blink.

“Jesus.” Lawrence’s eyes widen, and I can tell I’ve hurt him. “What’s gotten into you?”

“Stop asking me that!” Fury, erupting as tears, stings my eyes.

“Cassandra.” His voice is strict, paternal. “You’re in a bad mood. That’s clear. But don’t take it out on me. We disagree about the trial. It’s not the end of the world. You’re not a child anymore, Cassie. That girl is gone. You can’t punish me for not giving you what you want. Those days are over.”

A surge of white noise fills my head. My heart starts to race. I lose feeling in my fingers and toes. I know this is true, of course this is true, but when I’m here, in this house, time collapses. I’m thrown back to the past in the present tense; there’s no before and no after.

“What do you mean, gone?”

“You’ve matured.” Lawrence doesn’t realize I’ve left, that I’m split, that I am twenty-three and sixteen, adult and child, woman and girl. “You’ve grown up. Act like it.”

Act like it, act like it echoes in my ears. “What?” I ask, not because I didn’t hear, but because I need him to explain.

“You can’t treat me like shit,” Lawrence says slowly like I’m an idiot.

“I’m not!” I’ll treat you however the fuck I want, I think. “I’m just living my life—at least I’m trying to. But every five minutes, I get called back here. So I race home. Every fucking time. It’s like I’m not a real person; I’m just a doll you can manipulate any way you want.”

My anger centers me. My pulse slows. I’m able to breathe. I return to the now, the real now, as the past now recedes.