Contents ( 107)
- Dedication
- Contents
- Introduction
- I
- SOME THINGS I BELIEVE
- Credo
- Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
- Four Bookshops
- The Pornography of Genre, or the Genre of Pornography
- Ghosts in the Machines: Some Hallowe’en Thoughts.
- How Dare You: On America, and Writing About It
- All Books Have Genders
- The PEN Awards and Charlie Hebdo
- II
- SOME PEOPLE I HAVE KNOWN
- These Are Not Our Faces
- Reflections: On Diana Wynne Jones
- Terry Pratchett: An Appreciation
- On Dave McKean
- How to Read Gene Wolfe
- Remembering Douglas Adams
- Harlan Ellison: The Beast That Shouted Love at the Heart of the World
- Banging the Drum for Harlan Ellison
- On Stephen King, for the Sunday Times
- Geoff Notkin: Meteorite Man
- Gumshoe: A Book Review
- SIMCITY
- Six to Six
- III
- INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
- Fritz Leiber: The Short Stories
- Hothouse
- Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
- Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
- Samuel R. Delany and The Einstein Intersection
- On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
- IV
- FILMS AND MOVIES AND ME
- The Bride of Frankenstein
- MirrorMask: An Introduction
- MirrorMask: A Sundance Diary
- The Nature of the Infection: Some Thoughts on Doctor Who
- On Comics and Films: 2006
- V
- ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
- Good Comics and Tulips: A Speech
- “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
- Confessions: On Astro City and Kurt Busiek
- Batman: Cover to Cover
- Bone: An Introduction, and Some Subsequent Thoughts
- Jack Kirby: King of Comics
- The Simon and Kirby Superheroes
- The Spirit of Seventy-Five
- The Best of the Spirit
- Will Eisner: New York Stories
- The Keynote Speech for the 2003 Eisner Awards
- 2004 Harvey Awards Speech
- The Best American Comics, 2010
- VI
- INTRODUCTIONS AND CONTRADICTIONS
- Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
- On The New Annotated Dracula
- Rudyard Kipling’s Tales of Horror and Fantasy
- The Mystery of G. K. Chesterton’s Father Brown
- Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
- On The 13 Clocks by James Thurber
- Votan and Other Novels by John James
- On Viriconium: Some Notes Toward an Introduction
- So Long, and Thanks for All the Fish: An Introduction
- Dogsbody by Diana Wynne Jones
- Voice of the Fire by Alan Moore
- Art and Artifice by Jim Steinmeyer
- The Moth: An Introduction
- VII
- MUSIC AND THE PEOPLE WHO MAKE IT
- Hi, By the Way: Tori Amos
- Curious Wine: Tori Amos II
- Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
- Lou Reed, in Memoriam: “The Soundtrack to My Life”
- Waiting for the Man: Lou Reed
- Afterword Afterword: Evelyn Evelyn
- Who Killed Amanda Palmer
- VIII
- ON STARDUST AND FAIRY TALES
- Once Upon a Time
- Several Things About Charles Vess
- The King of Elfland’s Daughter, Lord Dunsany
- Lud-in-the-Mist
- The Thing of It Is: Jonathan Strange & Mr. Norrell
- On Richard Dadd’s The Fairy-Feller’s Master-Stroke
- IX
- MAKE GOOD ART
- Make Good Art
- X
- THE VIEW FROM THE CHEAP SEATS: REAL THINGS
- The View from the Cheap Seats
- A Wilderness of Mirrors
- The Dresden Dolls: Hallowe’en 2010
- Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
- So Many Ways to Die in Syria Now: May 2014
- A Slip of the Keyboard: Terry Pratchett
- Credits
- Index
- About the Author
- Also by Neil Gaiman
- Copyright
- About the Publisher
One of them repeated it to his mother that night. I never saw him again. His parents were to pull him out of that school, because of my joke, and he never even came back to say goodbye.
I was interrogated the next morning by the headmistress and the principal, who had just bought the school and was intent on maximizing every drop of profit from it before she sold it to property developers the following year.
I had forgotten about the joke. They kept asking me if I knew any “four-letter words” and, while I had not run across that term before, I had an enormous vocabulary, and it was the kind of thing that teachers asked eight-year-olds, so I ran through every word made of four letters I could think of, until they told me to shut up, and asked me about rude jokes and where I had heard them, and to whom exactly I had repeated them.
That night, after school, my mother was summoned to a meeting with the headmistress and the principal. She came home and informed me that she had been told that I had said something so terrible, so awful, that the headmistress and the principal would not actually repeat it. What was it?
I was scared to answer, so I whispered it to her.
I had said fuck.
“You must never ever say that again,” said my mother. “That is the worst thing that you can say.”
She informed me that she had been told that I would have been expelled—the ultimate punishment—from the little school that night, but, because the other boy had already been removed from that seething den of scatological iniquity by his parents, the principal had announced, with regret, that she was not prepared to lose two sets of school fees. And so I was spared.
I learned two very important lessons from this.
The first was that you must be extremely selective when it comes to your audience.
And the second is that words have power.
CHILDREN ARE A relatively powerless minority, and, like all oppressed people, they know more about their oppressors than their oppressors know about them. Information is currency, and information that will allow you to decode the language, motivations and behavior of the occupying forces, on whom you are uniquely dependent for food, for warmth, for happiness, is the most valuable information of all.
Children are extremely interested in adult behavior. They want to know about us.
Their interest in the precise mechanics of peculiarly adult behavior is limited. All too often it seems repellent, or dull. A drunk on the pavement is something you do not need to see, and part of a world you do not wish to be part of, so you look away.
Children are very good at looking away.
I DO NOT think I liked being a child very much. It seemed like something one was intended to endure, not enjoy: a fifteen-year-long sentence to a world less interesting than the one that the other race inhabited.