Contents (107)
- Dedication
- Contents
- Introduction
- I
- SOME THINGS I BELIEVE
- Credo
- Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
- Four Bookshops
- The Pornography of Genre, or the Genre of Pornography
- Ghosts in the Machines: Some Hallowe’en Thoughts.
- How Dare You: On America, and Writing About It
- All Books Have Genders
- The PEN Awards and Charlie Hebdo
- II
- SOME PEOPLE I HAVE KNOWN
- These Are Not Our Faces
- Reflections: On Diana Wynne Jones
- Terry Pratchett: An Appreciation
- On Dave McKean
- How to Read Gene Wolfe
- Remembering Douglas Adams
- Harlan Ellison: The Beast That Shouted Love at the Heart of the World
- Banging the Drum for Harlan Ellison
- On Stephen King, for the Sunday Times
- Geoff Notkin: Meteorite Man
- Gumshoe: A Book Review
- SIMCITY
- Six to Six
- III
- INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
- Fritz Leiber: The Short Stories
- Hothouse
- Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
- Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
- Samuel R. Delany and The Einstein Intersection
- On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
- IV
- FILMS AND MOVIES AND ME
- The Bride of Frankenstein
- MirrorMask: An Introduction
- MirrorMask: A Sundance Diary
- The Nature of the Infection: Some Thoughts on Doctor Who
- On Comics and Films: 2006
- V
- ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
- Good Comics and Tulips: A Speech
- “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
- Confessions: On Astro City and Kurt Busiek
- Batman: Cover to Cover
- Bone: An Introduction, and Some Subsequent Thoughts
- Jack Kirby: King of Comics
- The Simon and Kirby Superheroes
- The Spirit of Seventy-Five
- The Best of the Spirit
- Will Eisner: New York Stories
- The Keynote Speech for the 2003 Eisner Awards
- 2004 Harvey Awards Speech
- The Best American Comics, 2010
- VI
- INTRODUCTIONS AND CONTRADICTIONS
- Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
- On The New Annotated Dracula
- Rudyard Kipling’s Tales of Horror and Fantasy
- The Mystery of G. K. Chesterton’s Father Brown
- Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
- On The 13 Clocks by James Thurber
- Votan and Other Novels by John James
- On Viriconium: Some Notes Toward an Introduction
- So Long, and Thanks for All the Fish: An Introduction
- Dogsbody by Diana Wynne Jones
- Voice of the Fire by Alan Moore
- Art and Artifice by Jim Steinmeyer
- The Moth: An Introduction
- VII
- MUSIC AND THE PEOPLE WHO MAKE IT
- Hi, By the Way: Tori Amos
- Curious Wine: Tori Amos II
- Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
- Lou Reed, in Memoriam: “The Soundtrack to My Life”
- Waiting for the Man: Lou Reed
- Afterword Afterword: Evelyn Evelyn
- Who Killed Amanda Palmer
- VIII
- ON STARDUST AND FAIRY TALES
- Once Upon a Time
- Several Things About Charles Vess
- The King of Elfland’s Daughter, Lord Dunsany
- Lud-in-the-Mist
- The Thing of It Is: Jonathan Strange & Mr. Norrell
- On Richard Dadd’s The Fairy-Feller’s Master-Stroke
- IX
- MAKE GOOD ART
- Make Good Art
- X
- THE VIEW FROM THE CHEAP SEATS: REAL THINGS
- The View from the Cheap Seats
- A Wilderness of Mirrors
- The Dresden Dolls: Hallowe’en 2010
- Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
- So Many Ways to Die in Syria Now: May 2014
- A Slip of the Keyboard: Terry Pratchett
- Credits
- Index
- About the Author
- Also by Neil Gaiman
- Copyright
- About the Publisher
Thank-yous also in abundance to Merrilee Heifetz, my agent; Jennifer Brehl, my American editor; to Jane Morpeth, my UK editor; and, ever and always, to Amanda Palmer, my remarkable wife.
Neil Gaiman
I
SOME THINGS I BELIEVE
“I believe that in the battle between guns and ideas, ideas will, eventually, win.”
Credo
I believe that it is difficult to kill an idea because ideas are invisible and contagious, and they move fast.
I believe that you can set your own ideas against ideas you dislike. That you should be free to argue, explain, clarify, debate, offend, insult, rage, mock, sing, dramatize, and deny.
I do not believe that burning, murdering, exploding people, smashing their heads with rocks (to let the bad ideas out), drowning them or even defeating them will work to contain ideas you do not like. Ideas spring up where you do not expect them, like weeds, and are as difficult to control.
I believe that repressing ideas spreads ideas.
I believe that people and books and newspapers are containers for ideas, but that burning the people who hold the ideas will be as unsuccessful as firebombing the newspaper archives. It is already too late. It is always too late. The ideas are already out, hiding behind people’s eyes, waiting in their thoughts. They can be whispered. They can be written on walls in the dead of night. They can be drawn.
I believe that ideas do not have to be correct to exist.
I believe you have every right to be perfectly certain that images of god or prophet or human that you revere are sacred, and undefilable, just as I have the right to be certain of the sacredness of speech, and of the sanctity of the right to mock, comment, to argue and to utter.
I believe I have the right to think and say the wrong things. I believe your remedy for that should be to argue with me or to ignore me, and that I should have the same remedy for the wrong things that I believe you think.
I believe that you have the absolute right to think things that I find offensive, stupid, preposterous or dangerous, and that you have the right to speak, write, or distribute these things, and that I do not have the right to kill you, maim you, hurt you, or take away your liberty or property because I find your ideas threatening or insulting or downright disgusting. You probably think some of my ideas are pretty vile too.
I believe that in the battle between guns and ideas, ideas will, eventually, win. Because the ideas are invisible, and they linger, and, sometimes, they can even be true.
Eppur si muove: and yet it moves.
Parts of this were first published in the January 19, 2015, issue of the Guardian, with accompanying illustrations by Chris Riddell. It was first published in its complete form in the New Statesman of May 27, 2015, illustrated by Dave McKean.