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Contents ( 107)
  1. Dedication
  2. Contents
  3. Introduction
  4. I
  5. SOME THINGS I BELIEVE
  6. Credo
  7. Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
  8. Four Bookshops
  9. The Pornography of Genre, or the Genre of Pornography
  10. Ghosts in the Machines: Some Hallowe’en Thoughts.
  11. How Dare You: On America, and Writing About It
  12. All Books Have Genders
  13. The PEN Awards and Charlie Hebdo
  14. II
  15. SOME PEOPLE I HAVE KNOWN
  16. These Are Not Our Faces
  17. Reflections: On Diana Wynne Jones
  18. Terry Pratchett: An Appreciation
  19. On Dave McKean
  20. How to Read Gene Wolfe
  21. Remembering Douglas Adams
  22. Harlan Ellison: The Beast That Shouted Love at the Heart of the World
  23. Banging the Drum for Harlan Ellison
  24. On Stephen King, for the Sunday Times
  25. Geoff Notkin: Meteorite Man
  26. Gumshoe: A Book Review
  27. SIMCITY
  28. Six to Six
  29. III
  30. INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
  31. Fritz Leiber: The Short Stories
  32. Hothouse
  33. Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
  34. Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
  35. Samuel R. Delany and The Einstein Intersection
  36. On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
  37. IV
  38. FILMS AND MOVIES AND ME
  39. The Bride of Frankenstein
  40. MirrorMask: An Introduction
  41. MirrorMask: A Sundance Diary
  42. The Nature of the Infection: Some Thoughts on Doctor Who
  43. On Comics and Films: 2006
  44. V
  45. ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
  46. Good Comics and Tulips: A Speech
  47. “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
  48. Confessions: On Astro City and Kurt Busiek
  49. Batman: Cover to Cover
  50. Bone: An Introduction, and Some Subsequent Thoughts
  51. Jack Kirby: King of Comics
  52. The Simon and Kirby Superheroes
  53. The Spirit of Seventy-Five
  54. The Best of the Spirit
  55. Will Eisner: New York Stories
  56. The Keynote Speech for the 2003 Eisner Awards
  57. 2004 Harvey Awards Speech
  58. The Best American Comics, 2010
  59. VI
  60. INTRODUCTIONS AND CONTRADICTIONS
  61. Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
  62. On The New Annotated Dracula
  63. Rudyard Kipling’s Tales of Horror and Fantasy
  64. The Mystery of G. K. Chesterton’s Father Brown
  65. Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
  66. On The 13 Clocks by James Thurber
  67. Votan and Other Novels by John James
  68. On Viriconium: Some Notes Toward an Introduction
  69. So Long, and Thanks for All the Fish: An Introduction
  70. Dogsbody by Diana Wynne Jones
  71. Voice of the Fire by Alan Moore
  72. Art and Artifice by Jim Steinmeyer
  73. The Moth: An Introduction
  74. VII
  75. MUSIC AND THE PEOPLE WHO MAKE IT
  76. Hi, By the Way: Tori Amos
  77. Curious Wine: Tori Amos II
  78. Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
  79. Lou Reed, in Memoriam: “The Soundtrack to My Life”
  80. Waiting for the Man: Lou Reed
  81. Afterword Afterword: Evelyn Evelyn
  82. Who Killed Amanda Palmer
  83. VIII
  84. ON STARDUST AND FAIRY TALES
  85. Once Upon a Time
  86. Several Things About Charles Vess
  87. The King of Elfland’s Daughter, Lord Dunsany
  88. Lud-in-the-Mist
  89. The Thing of It Is: Jonathan Strange & Mr. Norrell
  90. On Richard Dadd’s The Fairy-Feller’s Master-Stroke
  91. IX
  92. MAKE GOOD ART
  93. Make Good Art
  94. X
  95. THE VIEW FROM THE CHEAP SEATS: REAL THINGS
  96. The View from the Cheap Seats
  97. A Wilderness of Mirrors
  98. The Dresden Dolls: Hallowe’en 2010
  99. Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
  100. So Many Ways to Die in Syria Now: May 2014
  101. A Slip of the Keyboard: Terry Pratchett
  102. Credits
  103. Index
  104. About the Author
  105. Also by Neil Gaiman
  106. Copyright
  107. About the Publisher

What the [Very Bad Swearword] Is a Children’s Book, Anyway? The Zena Sutherland Lecture

I hope none of you are here for answers. Authors are notoriously bad at answers. No, that’s not right. We’re not bad at them. We come up with answers all the time, but our answers tend to be unreliable, personal, anecdotal and highly imaginative.

These things can be drawbacks, as far as answers go, if you’re hoping to use our answers in your lives. But they are all good things, not drawbacks, when it comes to questions. Authors are good at posing questions, and our questions are often pretty solid.

I don’t write with answers in mind. I write to find out what I think about something. I wrote American Gods because I had lived in America for almost a decade and felt it was time that I learned what I thought about it.

I wrote Coraline because, when I was a child, I used to wonder what would happen if I went home and my parents had moved away without telling me.

(It could happen. Things sometimes slipped their minds. They were busy people. One night they forgot to pick me up from school, and it was only a wistful phone call from the school, at ten o’clock at night, asking if they were expected to keep me, that finally got me picked up. One morning my parents dropped me off at school without noticing that the half-term break had begun, and I wandered, confused, around a locked and empty school until I was eventually rescued by a gardener. So it was unlikely, but it was possible.)

And if my parents had moved away, what if other people moved in who looked just like them? How would I know? What would I do? And for that matter, what was behind the mysterious door at the far end of the oak-paneled drawing room, the one that opened to reveal only bricks?

I write stories to find out what I think about things.

I am writing this speech to find out what I think about something.

What I want to know is this: what is a children’s book? Or more emphatically: what the [very bad swearword] is a children’s book?

IT WAS A tiny private school in the town in which I lived, and I only attended it for a year. I was eight. One day, one of the boys came in with a copy of a magazine with naked ladies in it, stolen from his father, and we looked at it, to discover what naked ladies looked like. I do not remember what these particular naked ladies looked like, although I remember the little biographies by the pictures: one of the ladies was a magician’s assistant, which I thought very grand. We were, like all children, curious.

In the spring of that same year some kids that I used to encounter on my daily walk home from school told me a dirty joke. It had a swear word in it. In fact, I do not think it would be overstating matters to suggest that it had the swear word in it. It was not a particularly funny joke, but it was definitely sweary, and I told it to a couple of my school friends the following morning, thinking that they might find it funny, or failing that, think of me as sophisticated.