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Contents ( 107)
  1. Dedication
  2. Contents
  3. Introduction
  4. I
  5. SOME THINGS I BELIEVE
  6. Credo
  7. Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
  8. Four Bookshops
  9. The Pornography of Genre, or the Genre of Pornography
  10. Ghosts in the Machines: Some Hallowe’en Thoughts.
  11. How Dare You: On America, and Writing About It
  12. All Books Have Genders
  13. The PEN Awards and Charlie Hebdo
  14. II
  15. SOME PEOPLE I HAVE KNOWN
  16. These Are Not Our Faces
  17. Reflections: On Diana Wynne Jones
  18. Terry Pratchett: An Appreciation
  19. On Dave McKean
  20. How to Read Gene Wolfe
  21. Remembering Douglas Adams
  22. Harlan Ellison: The Beast That Shouted Love at the Heart of the World
  23. Banging the Drum for Harlan Ellison
  24. On Stephen King, for the Sunday Times
  25. Geoff Notkin: Meteorite Man
  26. Gumshoe: A Book Review
  27. SIMCITY
  28. Six to Six
  29. III
  30. INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
  31. Fritz Leiber: The Short Stories
  32. Hothouse
  33. Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
  34. Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
  35. Samuel R. Delany and The Einstein Intersection
  36. On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
  37. IV
  38. FILMS AND MOVIES AND ME
  39. The Bride of Frankenstein
  40. MirrorMask: An Introduction
  41. MirrorMask: A Sundance Diary
  42. The Nature of the Infection: Some Thoughts on Doctor Who
  43. On Comics and Films: 2006
  44. V
  45. ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
  46. Good Comics and Tulips: A Speech
  47. “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
  48. Confessions: On Astro City and Kurt Busiek
  49. Batman: Cover to Cover
  50. Bone: An Introduction, and Some Subsequent Thoughts
  51. Jack Kirby: King of Comics
  52. The Simon and Kirby Superheroes
  53. The Spirit of Seventy-Five
  54. The Best of the Spirit
  55. Will Eisner: New York Stories
  56. The Keynote Speech for the 2003 Eisner Awards
  57. 2004 Harvey Awards Speech
  58. The Best American Comics, 2010
  59. VI
  60. INTRODUCTIONS AND CONTRADICTIONS
  61. Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
  62. On The New Annotated Dracula
  63. Rudyard Kipling’s Tales of Horror and Fantasy
  64. The Mystery of G. K. Chesterton’s Father Brown
  65. Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
  66. On The 13 Clocks by James Thurber
  67. Votan and Other Novels by John James
  68. On Viriconium: Some Notes Toward an Introduction
  69. So Long, and Thanks for All the Fish: An Introduction
  70. Dogsbody by Diana Wynne Jones
  71. Voice of the Fire by Alan Moore
  72. Art and Artifice by Jim Steinmeyer
  73. The Moth: An Introduction
  74. VII
  75. MUSIC AND THE PEOPLE WHO MAKE IT
  76. Hi, By the Way: Tori Amos
  77. Curious Wine: Tori Amos II
  78. Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
  79. Lou Reed, in Memoriam: “The Soundtrack to My Life”
  80. Waiting for the Man: Lou Reed
  81. Afterword Afterword: Evelyn Evelyn
  82. Who Killed Amanda Palmer
  83. VIII
  84. ON STARDUST AND FAIRY TALES
  85. Once Upon a Time
  86. Several Things About Charles Vess
  87. The King of Elfland’s Daughter, Lord Dunsany
  88. Lud-in-the-Mist
  89. The Thing of It Is: Jonathan Strange & Mr. Norrell
  90. On Richard Dadd’s The Fairy-Feller’s Master-Stroke
  91. IX
  92. MAKE GOOD ART
  93. Make Good Art
  94. X
  95. THE VIEW FROM THE CHEAP SEATS: REAL THINGS
  96. The View from the Cheap Seats
  97. A Wilderness of Mirrors
  98. The Dresden Dolls: Hallowe’en 2010
  99. Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
  100. So Many Ways to Die in Syria Now: May 2014
  101. A Slip of the Keyboard: Terry Pratchett
  102. Credits
  103. Index
  104. About the Author
  105. Also by Neil Gaiman
  106. Copyright
  107. About the Publisher

Already some things are changing:

When I started writing about comics, before I ever began to write comics, I wanted a world in which comics would simply be regarded as a medium like any other, and in which we were accorded the same respect that any other medium was given. The amount of respect that novels and films and great works of art got. I wanted us to get literary awards. I wanted comics to turn up on the shelves of bookshops, and to sit next to books on the bestseller lists. Maybe one day a comic could come out and be on the NYT bestseller list.

We’ve got all that. And I don’t think it’s important after all.

Right now I actually believe that the best thing about comics may well be that it is a gutter medium. We do not know which fork to use, and we eat with our fingers. We are creators of a medium, we create art in an art form, which is still alive, which is powerful, which can do things no other medium can do.

I don’t believe that a fraction of the things that can be done with comics have yet been done.

For now, I think we’ve barely scratched the surface.

And I think that’s exciting. I don’t know where comics as a medium will go in the future. But I want to be amazed, and I’m pretty sure that I shall be.

And I trust that one day when you, whatever age, race, gender, or ethnicity you may lay claim to, are in your turn a cranky old Jew up here giving a speech, that will always remain true.

Keynote Speech for the 2004 Harvey Awards.

The Best American Comics, 2010

Page 1 panel 1

Space. The infinite vastness of everything. Seeing that’s a bit hard to fit into one panel, you’ll probably have to suggest it. I mean, if you can fit the whole universe in, then go for it. Otherwise, a galaxy.

NO DIALOGUE

Page 1 panel 2

The Earth, as seen from space. I think this would best be representational, rather than hyperrealistic. (Would we even recognize a realistic Earth, as seen from space?) North should be up, and North America should be easy to find.

NO DIALOGUE

Page 1 panel 3

A bigger panel. It’s America, the country, as seen from space, with bits of Canada at the top and Mexico at the bottom. All of it. Feel free to add labels to it. Amber waves of grain can be labeled “amber waves of grain.” Purple mountains majesty ditto. Also skyscrapers of Manhattan, alligators of Florida, the cable cars of San Francisco, and ever-so-slightly to the right of Minneapolis is the end of a tip of an arrow. It is labeled.

ARROW LABEL: Your Editor.

Page 1 panel 4

And this, from above, looking up at the world, is the editor of this volume. He is nearly fifty. He needs a haircut, has bags under the eyes, is wearing a black T-shirt and jeans. He has the little potbelly of a man who has spent too much of his life behind a desk and the haunted expression of a man one missed deadline away from disaster. His hands are in his jacket pockets, looking up toward our virtual camera, that has been zooming in on him. He’s talking to us: