Contents ( 107)
- Dedication
- Contents
- Introduction
- I
- SOME THINGS I BELIEVE
- Credo
- Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
- Four Bookshops
- The Pornography of Genre, or the Genre of Pornography
- Ghosts in the Machines: Some Hallowe’en Thoughts.
- How Dare You: On America, and Writing About It
- All Books Have Genders
- The PEN Awards and Charlie Hebdo
- II
- SOME PEOPLE I HAVE KNOWN
- These Are Not Our Faces
- Reflections: On Diana Wynne Jones
- Terry Pratchett: An Appreciation
- On Dave McKean
- How to Read Gene Wolfe
- Remembering Douglas Adams
- Harlan Ellison: The Beast That Shouted Love at the Heart of the World
- Banging the Drum for Harlan Ellison
- On Stephen King, for the Sunday Times
- Geoff Notkin: Meteorite Man
- Gumshoe: A Book Review
- SIMCITY
- Six to Six
- III
- INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
- Fritz Leiber: The Short Stories
- Hothouse
- Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
- Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
- Samuel R. Delany and The Einstein Intersection
- On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
- IV
- FILMS AND MOVIES AND ME
- The Bride of Frankenstein
- MirrorMask: An Introduction
- MirrorMask: A Sundance Diary
- The Nature of the Infection: Some Thoughts on Doctor Who
- On Comics and Films: 2006
- V
- ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
- Good Comics and Tulips: A Speech
- “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
- Confessions: On Astro City and Kurt Busiek
- Batman: Cover to Cover
- Bone: An Introduction, and Some Subsequent Thoughts
- Jack Kirby: King of Comics
- The Simon and Kirby Superheroes
- The Spirit of Seventy-Five
- The Best of the Spirit
- Will Eisner: New York Stories
- The Keynote Speech for the 2003 Eisner Awards
- 2004 Harvey Awards Speech
- The Best American Comics, 2010
- VI
- INTRODUCTIONS AND CONTRADICTIONS
- Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
- On The New Annotated Dracula
- Rudyard Kipling’s Tales of Horror and Fantasy
- The Mystery of G. K. Chesterton’s Father Brown
- Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
- On The 13 Clocks by James Thurber
- Votan and Other Novels by John James
- On Viriconium: Some Notes Toward an Introduction
- So Long, and Thanks for All the Fish: An Introduction
- Dogsbody by Diana Wynne Jones
- Voice of the Fire by Alan Moore
- Art and Artifice by Jim Steinmeyer
- The Moth: An Introduction
- VII
- MUSIC AND THE PEOPLE WHO MAKE IT
- Hi, By the Way: Tori Amos
- Curious Wine: Tori Amos II
- Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
- Lou Reed, in Memoriam: “The Soundtrack to My Life”
- Waiting for the Man: Lou Reed
- Afterword Afterword: Evelyn Evelyn
- Who Killed Amanda Palmer
- VIII
- ON STARDUST AND FAIRY TALES
- Once Upon a Time
- Several Things About Charles Vess
- The King of Elfland’s Daughter, Lord Dunsany
- Lud-in-the-Mist
- The Thing of It Is: Jonathan Strange & Mr. Norrell
- On Richard Dadd’s The Fairy-Feller’s Master-Stroke
- IX
- MAKE GOOD ART
- Make Good Art
- X
- THE VIEW FROM THE CHEAP SEATS: REAL THINGS
- The View from the Cheap Seats
- A Wilderness of Mirrors
- The Dresden Dolls: Hallowe’en 2010
- Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
- So Many Ways to Die in Syria Now: May 2014
- A Slip of the Keyboard: Terry Pratchett
- Credits
- Index
- About the Author
- Also by Neil Gaiman
- Copyright
- About the Publisher
Already some things are changing:
When I started writing about comics, before I ever began to write comics, I wanted a world in which comics would simply be regarded as a medium like any other, and in which we were accorded the same respect that any other medium was given. The amount of respect that novels and films and great works of art got. I wanted us to get literary awards. I wanted comics to turn up on the shelves of bookshops, and to sit next to books on the bestseller lists. Maybe one day a comic could come out and be on the NYT bestseller list.
We’ve got all that. And I don’t think it’s important after all.
Right now I actually believe that the best thing about comics may well be that it is a gutter medium. We do not know which fork to use, and we eat with our fingers. We are creators of a medium, we create art in an art form, which is still alive, which is powerful, which can do things no other medium can do.
I don’t believe that a fraction of the things that can be done with comics have yet been done.
For now, I think we’ve barely scratched the surface.
And I think that’s exciting. I don’t know where comics as a medium will go in the future. But I want to be amazed, and I’m pretty sure that I shall be.
And I trust that one day when you, whatever age, race, gender, or ethnicity you may lay claim to, are in your turn a cranky old Jew up here giving a speech, that will always remain true.
Keynote Speech for the 2004 Harvey Awards.
The Best American Comics, 2010
Page 1 panel 1
Space. The infinite vastness of everything. Seeing that’s a bit hard to fit into one panel, you’ll probably have to suggest it. I mean, if you can fit the whole universe in, then go for it. Otherwise, a galaxy.
NO DIALOGUE
Page 1 panel 2
The Earth, as seen from space. I think this would best be representational, rather than hyperrealistic. (Would we even recognize a realistic Earth, as seen from space?) North should be up, and North America should be easy to find.
NO DIALOGUE
Page 1 panel 3
A bigger panel. It’s America, the country, as seen from space, with bits of Canada at the top and Mexico at the bottom. All of it. Feel free to add labels to it. Amber waves of grain can be labeled “amber waves of grain.” Purple mountains majesty ditto. Also skyscrapers of Manhattan, alligators of Florida, the cable cars of San Francisco, and ever-so-slightly to the right of Minneapolis is the end of a tip of an arrow. It is labeled.
ARROW LABEL: Your Editor.
Page 1 panel 4
And this, from above, looking up at the world, is the editor of this volume. He is nearly fifty. He needs a haircut, has bags under the eyes, is wearing a black T-shirt and jeans. He has the little potbelly of a man who has spent too much of his life behind a desk and the haunted expression of a man one missed deadline away from disaster. His hands are in his jacket pockets, looking up toward our virtual camera, that has been zooming in on him. He’s talking to us: