Contents ( 107)
- Dedication
- Contents
- Introduction
- I
- SOME THINGS I BELIEVE
- Credo
- Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
- Four Bookshops
- The Pornography of Genre, or the Genre of Pornography
- Ghosts in the Machines: Some Hallowe’en Thoughts.
- How Dare You: On America, and Writing About It
- All Books Have Genders
- The PEN Awards and Charlie Hebdo
- II
- SOME PEOPLE I HAVE KNOWN
- These Are Not Our Faces
- Reflections: On Diana Wynne Jones
- Terry Pratchett: An Appreciation
- On Dave McKean
- How to Read Gene Wolfe
- Remembering Douglas Adams
- Harlan Ellison: The Beast That Shouted Love at the Heart of the World
- Banging the Drum for Harlan Ellison
- On Stephen King, for the Sunday Times
- Geoff Notkin: Meteorite Man
- Gumshoe: A Book Review
- SIMCITY
- Six to Six
- III
- INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
- Fritz Leiber: The Short Stories
- Hothouse
- Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
- Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
- Samuel R. Delany and The Einstein Intersection
- On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
- IV
- FILMS AND MOVIES AND ME
- The Bride of Frankenstein
- MirrorMask: An Introduction
- MirrorMask: A Sundance Diary
- The Nature of the Infection: Some Thoughts on Doctor Who
- On Comics and Films: 2006
- V
- ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
- Good Comics and Tulips: A Speech
- “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
- Confessions: On Astro City and Kurt Busiek
- Batman: Cover to Cover
- Bone: An Introduction, and Some Subsequent Thoughts
- Jack Kirby: King of Comics
- The Simon and Kirby Superheroes
- The Spirit of Seventy-Five
- The Best of the Spirit
- Will Eisner: New York Stories
- The Keynote Speech for the 2003 Eisner Awards
- 2004 Harvey Awards Speech
- The Best American Comics, 2010
- VI
- INTRODUCTIONS AND CONTRADICTIONS
- Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
- On The New Annotated Dracula
- Rudyard Kipling’s Tales of Horror and Fantasy
- The Mystery of G. K. Chesterton’s Father Brown
- Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
- On The 13 Clocks by James Thurber
- Votan and Other Novels by John James
- On Viriconium: Some Notes Toward an Introduction
- So Long, and Thanks for All the Fish: An Introduction
- Dogsbody by Diana Wynne Jones
- Voice of the Fire by Alan Moore
- Art and Artifice by Jim Steinmeyer
- The Moth: An Introduction
- VII
- MUSIC AND THE PEOPLE WHO MAKE IT
- Hi, By the Way: Tori Amos
- Curious Wine: Tori Amos II
- Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
- Lou Reed, in Memoriam: “The Soundtrack to My Life”
- Waiting for the Man: Lou Reed
- Afterword Afterword: Evelyn Evelyn
- Who Killed Amanda Palmer
- VIII
- ON STARDUST AND FAIRY TALES
- Once Upon a Time
- Several Things About Charles Vess
- The King of Elfland’s Daughter, Lord Dunsany
- Lud-in-the-Mist
- The Thing of It Is: Jonathan Strange & Mr. Norrell
- On Richard Dadd’s The Fairy-Feller’s Master-Stroke
- IX
- MAKE GOOD ART
- Make Good Art
- X
- THE VIEW FROM THE CHEAP SEATS: REAL THINGS
- The View from the Cheap Seats
- A Wilderness of Mirrors
- The Dresden Dolls: Hallowe’en 2010
- Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
- So Many Ways to Die in Syria Now: May 2014
- A Slip of the Keyboard: Terry Pratchett
- Credits
- Index
- About the Author
- Also by Neil Gaiman
- Copyright
- About the Publisher
Someone wisely asked me what I meant by the good stuff, and I told them, and someone else asked me what I meant by pushing it, and I told them as I will tell you.
What I mean by the good stuff is the comics you enjoy.
If you yourself have stopped reading comics, and sad to say, many retailers have—there’s too much out there, or one day they found they no longer enjoyed West Coast Avengers and gave up on the whole field, disillusioned—then browse around. Ask friends, ask your staff, ask your customers.
But most of you have comics you like. And you should be pushing them.
How?
It doesn’t involve much—for example, you can put a rack near the door of things you’re proud of selling.
You can order just a few more copies of things you think are really good and try and sell them.
You could offer a money-back guarantee to anyone buying something you have faith in. It’s not a hard thing to do.
Pick a comic of the week and push it.
Suggest to the customers who don’t read what they buy that maybe they should read these things instead of just bagging them.
Try to familiarize yourself with what’s out there, and let your tastes influence your customers.
If your customers are mostly adolescent boys who go away when they tire of childish things, well, make sure they know that there’s life after Spider-Man. Put a little effort in and you have a customer for life.
This is a good thing.
We are living in a remarkable time for comics: there is more exciting material available now than ever before. I mean it: there’s more excellent material currently in print and available, going all the way back to Little Nemo, than at any time.
This is also a good thing.
Do I want any of you to make less money? Of course not.
I want you all to have Jacuzzis in your Cadillacs, more stores than you can shake a stick at—or indeed, more sticks than you can shake a store at, if that’s your idea of fun.
While we’re at it, I’d like you to be happy, healthy, and never again bothered by telephone salespeople. May your luggage always be first on the airport carousel, and may your pets never spontaneously combust. All these things I wish you.
But remember what it is that you’re selling people.
When I go on tour I like to ask people how they started reading my stuff.
Mostly it’s word of mouth. Friends tell friends. Friends force friends to sit and read it. And, in a lot of cases, store assistants tell customers they’d like it. Sometimes it’s sexually transmitted.
In stores where the salespeople like Sandman, and push it hard, we equal or outsell whatever’s “hot.” And the people who read Sandman buy a copy and lend it around. We get readers, and we get new readers.
And the new readers go back to the comic store and buy all the trade paperbacks, to catch up on the story so far, and then they buy an extra copy to give to their friends . . .