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Contents ( 107)
  1. Dedication
  2. Contents
  3. Introduction
  4. I
  5. SOME THINGS I BELIEVE
  6. Credo
  7. Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
  8. Four Bookshops
  9. The Pornography of Genre, or the Genre of Pornography
  10. Ghosts in the Machines: Some Hallowe’en Thoughts.
  11. How Dare You: On America, and Writing About It
  12. All Books Have Genders
  13. The PEN Awards and Charlie Hebdo
  14. II
  15. SOME PEOPLE I HAVE KNOWN
  16. These Are Not Our Faces
  17. Reflections: On Diana Wynne Jones
  18. Terry Pratchett: An Appreciation
  19. On Dave McKean
  20. How to Read Gene Wolfe
  21. Remembering Douglas Adams
  22. Harlan Ellison: The Beast That Shouted Love at the Heart of the World
  23. Banging the Drum for Harlan Ellison
  24. On Stephen King, for the Sunday Times
  25. Geoff Notkin: Meteorite Man
  26. Gumshoe: A Book Review
  27. SIMCITY
  28. Six to Six
  29. III
  30. INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
  31. Fritz Leiber: The Short Stories
  32. Hothouse
  33. Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
  34. Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
  35. Samuel R. Delany and The Einstein Intersection
  36. On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
  37. IV
  38. FILMS AND MOVIES AND ME
  39. The Bride of Frankenstein
  40. MirrorMask: An Introduction
  41. MirrorMask: A Sundance Diary
  42. The Nature of the Infection: Some Thoughts on Doctor Who
  43. On Comics and Films: 2006
  44. V
  45. ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
  46. Good Comics and Tulips: A Speech
  47. “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
  48. Confessions: On Astro City and Kurt Busiek
  49. Batman: Cover to Cover
  50. Bone: An Introduction, and Some Subsequent Thoughts
  51. Jack Kirby: King of Comics
  52. The Simon and Kirby Superheroes
  53. The Spirit of Seventy-Five
  54. The Best of the Spirit
  55. Will Eisner: New York Stories
  56. The Keynote Speech for the 2003 Eisner Awards
  57. 2004 Harvey Awards Speech
  58. The Best American Comics, 2010
  59. VI
  60. INTRODUCTIONS AND CONTRADICTIONS
  61. Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
  62. On The New Annotated Dracula
  63. Rudyard Kipling’s Tales of Horror and Fantasy
  64. The Mystery of G. K. Chesterton’s Father Brown
  65. Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
  66. On The 13 Clocks by James Thurber
  67. Votan and Other Novels by John James
  68. On Viriconium: Some Notes Toward an Introduction
  69. So Long, and Thanks for All the Fish: An Introduction
  70. Dogsbody by Diana Wynne Jones
  71. Voice of the Fire by Alan Moore
  72. Art and Artifice by Jim Steinmeyer
  73. The Moth: An Introduction
  74. VII
  75. MUSIC AND THE PEOPLE WHO MAKE IT
  76. Hi, By the Way: Tori Amos
  77. Curious Wine: Tori Amos II
  78. Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
  79. Lou Reed, in Memoriam: “The Soundtrack to My Life”
  80. Waiting for the Man: Lou Reed
  81. Afterword Afterword: Evelyn Evelyn
  82. Who Killed Amanda Palmer
  83. VIII
  84. ON STARDUST AND FAIRY TALES
  85. Once Upon a Time
  86. Several Things About Charles Vess
  87. The King of Elfland’s Daughter, Lord Dunsany
  88. Lud-in-the-Mist
  89. The Thing of It Is: Jonathan Strange & Mr. Norrell
  90. On Richard Dadd’s The Fairy-Feller’s Master-Stroke
  91. IX
  92. MAKE GOOD ART
  93. Make Good Art
  94. X
  95. THE VIEW FROM THE CHEAP SEATS: REAL THINGS
  96. The View from the Cheap Seats
  97. A Wilderness of Mirrors
  98. The Dresden Dolls: Hallowe’en 2010
  99. Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
  100. So Many Ways to Die in Syria Now: May 2014
  101. A Slip of the Keyboard: Terry Pratchett
  102. Credits
  103. Index
  104. About the Author
  105. Also by Neil Gaiman
  106. Copyright
  107. About the Publisher

Someone wisely asked me what I meant by the good stuff, and I told them, and someone else asked me what I meant by pushing it, and I told them as I will tell you.

What I mean by the good stuff is the comics you enjoy.

If you yourself have stopped reading comics, and sad to say, many retailers have—there’s too much out there, or one day they found they no longer enjoyed West Coast Avengers and gave up on the whole field, disillusioned—then browse around. Ask friends, ask your staff, ask your customers.

But most of you have comics you like. And you should be pushing them.

How?

It doesn’t involve much—for example, you can put a rack near the door of things you’re proud of selling.

You can order just a few more copies of things you think are really good and try and sell them.

You could offer a money-back guarantee to anyone buying something you have faith in. It’s not a hard thing to do.

Pick a comic of the week and push it.

Suggest to the customers who don’t read what they buy that maybe they should read these things instead of just bagging them.

Try to familiarize yourself with what’s out there, and let your tastes influence your customers.

If your customers are mostly adolescent boys who go away when they tire of childish things, well, make sure they know that there’s life after Spider-Man. Put a little effort in and you have a customer for life.

This is a good thing.

We are living in a remarkable time for comics: there is more exciting material available now than ever before. I mean it: there’s more excellent material currently in print and available, going all the way back to Little Nemo, than at any time.

This is also a good thing.

Do I want any of you to make less money? Of course not.

I want you all to have Jacuzzis in your Cadillacs, more stores than you can shake a stick at—or indeed, more sticks than you can shake a store at, if that’s your idea of fun.

While we’re at it, I’d like you to be happy, healthy, and never again bothered by telephone salespeople. May your luggage always be first on the airport carousel, and may your pets never spontaneously combust. All these things I wish you.

But remember what it is that you’re selling people.

When I go on tour I like to ask people how they started reading my stuff.

Mostly it’s word of mouth. Friends tell friends. Friends force friends to sit and read it. And, in a lot of cases, store assistants tell customers they’d like it. Sometimes it’s sexually transmitted.

In stores where the salespeople like Sandman, and push it hard, we equal or outsell whatever’s “hot.” And the people who read Sandman buy a copy and lend it around. We get readers, and we get new readers.

And the new readers go back to the comic store and buy all the trade paperbacks, to catch up on the story so far, and then they buy an extra copy to give to their friends . . .