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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

‘Right. High. Easy to hide. Guy’s got two point three children, or will have in the next couple years. Went to Columbia or NYU. Lawyer or accountant.’ A shake of the head. The ponytail swung. ‘Tats used to be insidious. The inked were bad boys and girls. Now getting a work’s like putting on a charm bracelet or a tie. There’s a joke somebody’s going to open a tattoo franchise in strip malls. Call it Tat-bucks.’

‘That’s why the rods?’ Sellitto nodded at the bars in Gordon’s head.

‘You have to go to greater lengths to make a statement. That sounded effete. Sorry. So. What can I do for you, Officer?’

‘I’m making the rounds of the big parlors in the city. None of ’em could help so far but they all said I had to come see you. This’s the oldest parlor in the city, they said. And you know everybody in the community.’

‘Hard to say about the oldest. Inking – I mean modern inking in the US, not tribal – pretty much began in New York. The Bowery, late eighteen hundreds. But it was banned in ’sixty-one after some hepatitis outbreaks. Only legalized again in ’ninety-seven. I found some records that this shop dated back to the twenties – man, those must’ve been the days. You got a tat, you were Mr Alternative. Or Miss, though women rarely got works done then. Not unheard of. Winston Churchill’s mother had a snake eating its tail.’ He noted that Sellitto was not much interested in the history lesson. A shrug. My enthusiasm isn’t your enthusiasm. Got it.

‘This is, what I’m about to tell you, this’s confidential.’

‘No worries there, dude. People tell me all sorts of shit when they’re under the machine. They’re nervous and so they start rambling away. I forget everything I hear. Amnesia, you know.’ A frown. ‘You here about somebody might be a customer of mine?’

‘Don’t have any reason to think so but could be.’ Sellitto added, ‘If we showed you a tat, you think you could tell us something about the guy who did it?’

‘Maybe. Everybody’s got their own style. Even two artists working from the same stencil’re going to be different. It’s how you learned to ink, the machine you use, the needles you hack together. A thousand things. Anyway, I can’t guarantee it but I’ve worked with artists from all over the country, been to conventions in almost every state. I might be able to help you out.’

‘Okay, here.’

Sellitto dug into his briefcase and extracted the photo Mel Cooper had printed out.

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