Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
Rhyme’s attention hovered. Sellitto was a senior officer in Major Cases and if he wasn’t here to pick up the report, then maybe something else, something more interesting, was on the horizon. More propitious was that Sellitto had seen a tray of pastry, homemade by Thom, and had turned away as if the crullers were invisible. His mission here had to be urgent.
And, therefore, engaging.
‘We got a call, a homicide down in SoHo, Linc. Earlier today. We drew straws and you got picked. Hope you’re free.’
‘How can I get picked if I never drew a straw?’
A sip of coffee. Ignoring Rhyme. ‘It’s a tough one.’
‘I’m listening.’
‘Woman was abducted from the basement of the store where she worked. Some boutique. Killer dragged her through an access door and into a tunnel under the building.’
Rhyme knew that beneath SoHo was a warren of tunnels, dug years ago for transporting goods from one industrial building to another. He’d always believed it was just a matter of time before somebody used the place as a killing zone.
‘Sexual assault?’
‘No, Amelia,’ Sellitto said. ‘The perp’s a tattoo artist, seems. And from what the respondings said a pretty fucking good one. He gave her a tat. Only he didn’t use ink. He used poison.’
Rhyme had been a forensic scientist for many years; his mind often made accurate deductions from scant preliminary details. But inferences work only when the facts presented echo those from the past. This information was unique in Rhyme’s memory and didn’t become a springboard for any theories whatsoever.
‘What was the toxin he used?’
‘They don’t know. This just happened, I was saying. We’re holding the scene.’
‘More, Lon. The design? That he tattooed on her?’
‘It was some words, they said.’
The intrigue factor swelled. ‘Do you know what they were?’
‘The respondings didn’t say. But they told me it looked like only part of a sentence. And you can guess what that means.’
‘He’s going to need more victims,’ Rhyme said, glancing Sachs’s way. ‘So he can send the rest of his message.’
CHAPTER 4
Sellitto was explaining:
‘Her name was Chloe Moore, twenty-six. Part-time actress – had a few roles in commercials and some walk-ons in thrillers. Working in the boutique to pay the bills.’
Sachs asked the standard questions: Boyfriend trouble, husband trouble, triangle troubles?
‘Naw, none of the above that we could tell. I just started uniforms canvassing around the area but the prelim from the clerks in the store and her roommate is that she hung with a good crowd. Was pretty conservative. No boyfriend presently and no bad breakups.’
Rhyme was curious. ‘Any tattoos, other than the one he killed her with?’
‘I dunno. First responders scooted as soon as the ME’s team declared DCDS.’