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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

Ah, he thought, noting that while her skirt and jacket were navy blue, the scarf around her neck was red-and-white shimmery silk. It stood out like a flag in the drab setting. She was alone. He eased through the door and followed. He noted her muscular legs – revealed clearly by the knee-length skirt – noted the slim waist, noted the hips. The hair, in a tight bun, was brown with a bit of gray. Although the sheer pantyhose revealed a few purplish veins near the ankle, her skin was superb for an older woman’s.

Billy found himself aroused, heart pounding, the blood throbbing in his temples. And elsewhere.

Blood. The Oleander Room … blood on the carpet, blood on the floor.

Put those thoughts away. Now! Think of Lovely Girl.

He did and the urges dimmed. But dimming isn’t vanishing.

Sometimes you just gave in. Whatever the consequences might be.

Oleander …

He moved more quickly now, coming up behind her.

Thirty feet away, twenty-five …

Billy closed the distance to about fifteen feet, ten, three, his eyes staring at her legs. It was then that he heard a woman’s no-nonsense voice behind him.

‘You, in the cap. Police! Drop the backpack. Put your hands on your head!’

CHAPTER 20

About thirty feet away from the man, Amelia Sachs steadied her Glock and repeated, more harshly, ‘Backpack on the ground. Hands on your head! Now!’

The woman he’d been about to assault, only a few feet from him, turned. The confusion in her face became horror as she stared at her would-be assailant and understood what was happening. ‘No, please, no!’

The attacker was in a jacket, not the longer thigh-length coat that the witness reported their unsub wore, but he had the same telltale stocking cap and black backpack. If she was wrong, she’d apologize. ‘Now!’ Sachs called again.

With his back to her still, he slowly lifted his hands. As his sleeve rode up she got a glimpse of a red tattoo of some kind on his left arm, starting at the back of his hand and disappearing under his coat. A snake, a dragon?

He was raising his hands, yes, but not dropping the backpack.

Shit. He’s going to rabbit.

And, sure enough, in an instant, he tugged his hat down into a ski mask and leapt forward, grabbing the woman, spinning her around. He got his arm around her neck. She cried out and struggled. Her dark eyes were wide with fear.

Okay. He’s Unsub 11-5.

Sachs eased forward slowly, the blade sights of the Glock searching for a clear target.

Couldn’t find one. Thanks largely to the panicked hostage, who was struggling to get away, kicking and twisting. He pressed his face close to her ear, apparently whispered something and, with wide eyes, she stopped struggling.

‘I have a gun!’ he shouted. ‘I’ll kill her. Drop your gun. Now.’

Sachs called back, ‘No.’