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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

Then several thuds. Seth screamed.

And the line went dead.

CHAPTER 41

The squad cars beat Amelia Sachs to Pam’s apartment.

But not by much.

Sachs had kept the gears low in her Torino, the RPMs high, and her foot largely off the brake as she sped to Brooklyn Heights. Sidney Place, a narrow street ending at State, runs north, one way, but that didn’t stop Sachs from pounding the Ford the opposite way, sending several oncoming cars up on the sidewalk, squeezing for protection between the many trees here. One rattled elderly driver scraped a fender on the stairs of St Charles Borromeo church, tall and red as a fire truck.

Sachs’s fierce eyes, more than the blue dashboard flasher, cleared the way with little resistance.

Pam’s apartment building was shabbier than most here, a three-story walk-up, one of the few gray buildings in a neighborhood of crimson stone. Sachs aimed for the semicircle of police vehicles and an ambulance. She laid on the horn – no siren in the Torino – and parted the craning-neck crowd then gave up and parked. She sprinted to the door, noting that the ambulance door was open but there were no EMS techs nearby. Bad sign. Were they working away desperately on Seth?

Or was he dead?

In Pam’s apartment hallway, a stocky uniform glanced at the shield on her belt and nodded her in. She asked, ‘How is he?’

‘Dunno. It’s a mess.’

Her phone buzzed. She glanced at caller ID. Pam. Sachs debated but let it ring. She didn’t have anything to tell her yet.

I will in a few minutes, she thought. Then wondered what exactly the message would be.

A mess …

Pam lived on the ground floor, a small dark space of about six hundred square feet, whose resemblance to a jail cell was enhanced by the exposed brick walls and tiny windows. Such was the price of living in a posh neighborhood like the Heights, the center of town when Brooklyn was a city unto itself.

She stepped inside and saw two officers.

‘Detective Sachs,’ one said, though she didn’t recognize him. ‘You running the scene? We’ve cleared it. Had to make sure—’

‘Where is he?’ She looked past the uniform but then she realized that, of course, the Underground Man would have taken Seth to the basement.

The officer confirmed that he was in the cellar. ‘The medics, coupla detectives from the Eight Four.’ He shook his head. ‘They’re doing the best they can. But.’