Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
For Chloe’s tat, Billy was using the famous Blackletter font, known more commonly as Gothic or Old English. It was characterized by very thick and very thin strokes. The particular family he used was Fraktur. He’d selected this font because it was the typeface of the Gutenberg Bible – and because it was challenging. He was an artist and what artist didn’t like to show off his skills?
Ten minutes later he was nearly done.
And how was his client doing? He scanned her body then lifted her lids. Eyes still unfocused. Her face gave a few twitches, though. The propofol wouldn’t last much longer. But of course by now one drug was replacing the other.
Suddenly pain coursed through his chest. This alarmed him. He was young and in very good shape; he dismissed the thought of a heart attack. But the big question remained: Had he inhaled something he shouldn’t have?
That was a very real, and lethal, possibility.
Then he probed his own body and realized the pain was on the surface. And he understood. When he’d first grabbed her, Chloe had fought back. He’d been so charged he hadn’t noticed how hard she’d struck him. But now the adrenaline had worn off and the pain was throbbing. He looked down. Hadn’t caused any serious damage, except for tearing his shirt and the coveralls.
He ignored the ache and kept going.
Then Billy noted Chloe’s breathing becoming deeper. The anesthetic would soon wear off. He touched her chest – Lovely Girl wouldn’t have minded – and beneath his hand he could feel her heartbeat thudding more insistently.
It was then that a thought occurred to him: What would it be like to tattoo a living, beating heart? Could it be done? Billy had broken into a medical supply company a month ago in anticipation of his plans here in New York. He’d made off with thousands of dollars in equipment, drugs, chemicals and other materials. He wondered if he could learn enough to put someone under, crack open the chest, ink a design or words onto the heart itself and sew the victim back up. Living out his or her life with the altered organ.
What would the work be?
A cross.
The words: The Rule of Skin
Maybe:
Billy + Lovely Girl 4 Ever
Interesting idea. But thinking about Lovely Girl made him sad and he returned to Chloe, finishing the last of the letters.
Good.
A Billy Mod.
But not quite finished yet. He extracted a scalpel from a dark-green toothbrush container and reached forward, stretching out the marvelous skin once more.
CHAPTER 3
One can view death in two ways.