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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

In five minutes she was racing up the West Side Highway, blue light on the dash pulsing madly, as she skidded around cars and trucks – the slaloming more a function of her powerful engine and her comfort in high revs than the inclement weather.

CHAPTER 31

At close to eleven p.m. Rhyme heard Sachs enter the hallway, her arrival announced by the modulating hiss of sleet-filled wind.

‘Ah, finally.’

She stepped into the parlor a moment later, holding a large milk crate containing a dozen plastic and paper bags. She nodded a greeting to Mel Cooper, who sagged with fatigue but seemed game to start on the analysis.

Rhyme asked quickly, ‘Sachs, you said you thought he might be around the scene?’

‘That’s right.’

‘What came of that?’

‘Nothing. Bo sent a half-dozen ESU boys and girls after him. But he was gone. And I didn’t get a good look at him. It was maybe nothing. But my gut told me it was him.’ She called up a map of Hell’s Kitchen on the main computer monitor and pointed out the restaurant, Provence2, and on the corner an office building. ‘He went down there but, see? It’s only a few blocks from Times Square. He got lost in the crowd. Not sure it was him but it’s too much of a coincidence to ignore completely. He seems curious about the investigation; after all, the perp did come back to Elizabeth Street and spied on me through the manhole cover.’

Eye-to-eye …

‘Well, let’s get to the evidence. What do we have, Sachs?’

Thom Reston said firmly, ‘Find out – what she has, that is – but find out quickly. You’re going to bed soon, Lincoln. It’s been a long day.’

Rhyme scowled. But he also accepted that the caregiver’s job was to keep him healthy and alive. Quadriplegics were susceptible to a number of troublesome conditions, the most dangerous of which was autonomic dysreflexia – a spike in blood pressure brought on by physical stress. It wasn’t clear that exhaustion was a precipitating factor but Thom had never been one to take anything for granted.

‘Yes, yes, yes. Just a few minutes.’

‘Nothing spectacular,’ Sachs said, nodding at the evidence.

But then, Rhyme reflected, there rarely were any smoking guns. Crime scene work was incremental. And obvious finds, he felt, were automatically suspect; they might be planted evidence. Which happened more than one might suspect.

First, Sachs displayed the photographs of the tattoo.

missing-image

Surrounded by the scalloped border that, according to TT Gordon, was in some way significant.

Which made its cryptic nature all the more infuriating.

‘First “the second” and now “forty”. No article preceding this one but, again, no punctuation.’