Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
Thom climbed the stairs and Rhyme wheeled to the elevator that would take him to the second floor. Once there, he rolled toward the bedroom. He paused, though, cocked his head, listening. Sachs was on the phone, speaking softly, but he could still make out the words.
‘Pam, hey, it’s me … Hope you’re checking messages. Really like to talk. Give me a call. Okay, love you. ’Night.’
That was, Rhyme believed, the third such call today.
He heard her footfalls on the stairs and immediately veered into the bedroom and struck up a conversation with Thom – which must have bordered on the surreal to the aide, given that Rhyme was concentrating on his words not one bit; he simply wanted to keep Sachs from knowing he’d overheard her plea to Pam Willoughby.
Sachs crested the top stair and walked into the bedroom. Rhyme was thinking how unsettling it is when the people who are the hubs of our lives are suddenly vulnerable. And worse yet when they mask it with stoic smiles, as Sachs did now.
She saw his glance and asked, ‘What?’
Rhyme vamped. ‘Just thinking. I have a feeling we’re going to get him tomorrow.’
He expected her to look incredulous and say something like, ‘You? Have a feeling.’
But instead she glanced subtly at her phone’s screen, pocketed the unit and said, eyes out the window, ‘Could be, Rhyme. Could be.’
III
THE RED CENTIPEDE
THURSDAY, NOVEMBER 7
9:00 A.M.
CHAPTER 32
Sweating, groaning loudly, Billy Haven awoke from a difficult dream.
Involving the Oleander Room.
Though all dreams set there – and there were lots of them – were, by definition, difficult.
This one was particularly horrifying because his parents were present, even though they’d died some years before he’d ever stepped into the Oleander Room for the first time. Maybe they were ghosts but they looked real. The odd reality of the unreality of dreams.
His mother was gazing at what he was doing and she was screaming, ‘No, no, no! Stop, stop!’
But Billy was smiling reassuringly and saying, ‘It’s okay,’ even though he knew it wasn’t. It was anything but okay. Then he realized the reassurance didn’t mean anything because his mother couldn’t hear him. Which wiped the smile away and he felt miserable.
His father merely shook his head, disappointed at what he was seeing. Vastly disappointed. This upset Billy too.
But their part in the dream made sense, now that he thought about it: His parents had died and died bloody.
Perfectly, horrifically logical.
Billy was smelling blood, seeing blood, tasting blood. Inking his skin temporarily with blood. Which happened both in the dream and in real life in the Oleander Room. Painting his skin the way people in some cultures do when piercing is forbidden.