Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
Billy thought, naturally, of Lovely Girl. But now he wasn’t sad. Everything was going to be all right. He was confident. All would be made right. Full circle.
The Rule of Skin …
He walked a few blocks farther until he came to the storefront. The sign on the door reported Open but there was no one inside, not in the shop itself, though in the back he could see a shadow of movement. He looked over the art and posters and photos in the windows. Superheroes, animals, flags, monsters. Slogans. Rock groups.
A thousand examples of tattoos.
Mostly silly and commercial and pointless. Like TV shows and Madison Avenue advertising. He mentally sneered at the tackiness on display.
How skin art had changed over time, Billy reflected. Inking was, in ancient days, a serious affair. For the first thousand or more years of its existence, tattooing was not primarily about decoration. Until the 1800s body art was ritualistic and bound up with religion and societal structure. Primitive people tattooed themselves for a number of practical reasons: defining class or tribe, for instance, or sucking up to this god or that. The art served another reason too, vital: identification of your soul for entry into the underworld; if you were unmarked in life, you’d be rejected by the gatekeeper and wander the earth after death, weeping for eternity. Inking acted too as a barrier to keep your soul from migrating out of the body (the origin of the chain and barbed-wire body art so common nowadays on biceps and necks). And high on the list of reasons people inked themselves was to open a portal so evil spirits would flee the body, like wasps out an open car window – spirits that would, say, prod them to do something they didn’t want to do.
Taking pleasure from blood, for instance.
The Oleander Room …
His reflections faded as Billy pulled on his jaundiced latex gloves and opened the door, which set off a buzzer.
‘Out in a minute,’ the voice from the back called.
‘No worries.’ Billy looked around the tiny shop. The chairs, the massage-style tables for tramp stamps and shoulders, the machines and tubes and needles. Good stuff. He looked at the pictures of satisfied customers and concluded that, even if most of the works the shop produced were crap, TT Gordon was a talented artist.
Extracting the hypodermic needle filled with propofol from his backpack, Billy flipped the hanging sign on the door to Closed and locked the latch. He made his way toward the shimmery curtain of beads separating the front room from the back.
IV
THE UNDERGROUND WOMAN
FRIDAY, NOVEMBER 8
8:00 A.M.
CHAPTER 51
There’s a moment that occurs when you finish a complicated mod and you wonder: Is the work a success? Or have you ruined a perfectly good piece of skin and possibly someone’s life for the foreseeable future?