Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
This is what Billy Haven was thinking as he lay in bed in his workshop off Canal Street this morning. Recalling some of his more complex mods. You’ve just inked the last line (you’re always tempted to keep going but you have to know when to stop). And you set down your Freewire or your American Eagle or your Baltimore Street or Borg and sit back, edgy and nervous, looking over the finished job for the first time.
Initially a work is just an indiscernible mass of blood and Vaseline and, if it’s big, a nonstick bandage or two.
Ah, but underneath, unrecognizable at the moment, is beauty, soon to be revealed.
You hope.
Like Doctor Moreau, unwrapping the bandages of his subjects and finding the successful creation of a beautiful Cat-woman, with almond-shaped eyes and flowing gray Siamese hair. Or a Bird-man, complete with yellow claws and peacock plumage.
The same thing with the Modification. On the surface – to the police, to the citizens of New York paralyzed at the thought of going into basements – the crimes appeared to be a mystery. Some murders, some torture, some curious messages, random locations, random victims, a killer obsessed with skin and poisons.
But underneath: the perfect design. And now it was time to lift off the bloody curtain of bandages and gaze at the Modification in all its glory.
He threw off the sheets and blanket and sat up, glancing again at the front of his thighs.
ELA
LIAM
He had good memories and sad memories, seeing the names. But, after today, he knew the bad ones would fade.
His parents, Lovely Girl.
His watch hummed. He glanced at it. A second vibration soon after.
Billy dressed and spent the next hour scrubbing the workshop: filling trash bags with clothes he’d worn to the sites of the killings, bedclothes, napkins, paper towels, plastic silverware, plates – anything that might be a nest for his DNA or fingerprints.
He carted the bags outside into the chill, sleety morning – his nose stinging with his first breath on the street – and set them on the curb. He waited. Three minutes later the noisy Department of Sanitation truck rolled to a stop and the workers leapt off the back, collecting the garbage along this short, dark street.
He’d noted the exact time the trucks arrived – to make sure that the trash wasn’t on the street for more than a few minutes; he’d learned that the police had the right to go through your garbage on public streets.
With a grind of transmission and sigh of gassy exhaust, the truck vanished. The most incriminating evidence was gone. He’d return later – maybe in a week or so – and set fire to the place to destroy the rest. But for now, this was enough. It was very unlikely the police would find the subterranean lair anytime soon.