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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

Please answer! Sachs gripped her mobile hard and shivered in hopeless rage when Pam’s voice mail came on.

‘If you’re at home, Pam, get out of your house! Now! Go to the Eighty-Fourth Precinct. Gold Street. I think the perp in our case is at your place.’

Her eyes met Rhyme’s, his face equally troubled, and she jammed her finger onto the redial button.

Rhyme asked, ‘Is she working? Or at school?’

‘I don’t know. She works odd hours. And’s in school part-time this semester.’

Ron Pulaski called, ‘There should be a unit there in seven, eight minutes.’

But the question: Is it too late?

The hollow buzzing of the phone filled the speaker.

Goddamn it. Voice mail once more.

No, no …

‘Sachs—’

She ignored Rhyme and hit the redial button again. Why the hell hadn’t they put protection on Pam full-time? True, their unsub’s targets – like the Bone Collector’s – were random and the Skin Collector surely didn’t even know she existed, they’d assumed. But now, of course, he’d decided to target not only those tracking him down, but their friends and family too. It wouldn’t be impossible to discover Pam’s relationship to Rhyme and Sachs. Why hadn’t—

Click. ‘Amelia,’ Pam said, breathless. ‘I got your message. But I’m not home. I’m at work.’

Sachs lowered her head. Thank you, thank you …

‘But Seth’s there! He’s there now. He’s waiting for me. We’re going out later. Amelia, what … what should we do?’

Sachs got his mobile and spun to Pulaski. ‘Call Seth!’ She shouted the number across the room. The young officer dialed fast.

‘The doors are locked, Pam?’

‘Yes, but … Oh, Amelia. Are police there?’

‘They’re on their way. Stay where you are. And—’

‘Stay where I am? I’m going home. I’m going there now.’

‘No. Don’t do that.’

Pam’s voice was ragged, accusatory. ‘Why’s he doing this? Why is he at my apartment?’

‘Stay where—’

The girl hung up.

‘It’s ringing.’ Pulaski’s expression changed instantly.

‘Speaker,’ Rhyme snapped.

The young officer hit the button. Seth’s voice came from the line. ‘Hello?’

‘Seth, it’s Lincoln Rhyme.’

‘Hey, how—’

‘Listen to me carefully. Get out. Somebody’s breaking into the apartment. Get out now!’

‘Here? What do you mean? Is Pam all right?’

‘She’s okay. Police are coming but you have to get out. Drop whatever you’re doing and leave. Go out the front door and get to the Eighty-Fourth Precinct. It’s on Gold Street. Or at least some populated place. Call Amelia or me as soon as—’

Seth’s next words were muted, as if he was turning and the phone was no longer next to his mouth. ‘Hey!’

A sound like breaking glass could be heard and another voice, a man’s: ‘You. Put the phone down.’

‘The hell’re you—’