Back The People We Keep Save as PDF
Chapters (81)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. — Part One —
  6. — Chapter 1 —
  7. — Chapter 2 —
  8. — Chapter 3 —
  9. — Chapter 4 —
  10. — Chapter 5 —
  11. — Chapter 6 —
  12. — Chapter 7 —
  13. — Chapter 8 —
  14. — Chapter 9 —
  15. — Chapter 10 —
  16. — Chapter 11 —
  17. — Chapter 12 —
  18. — Chapter 13 —
  19. — Chapter 14 —
  20. — Chapter 15 —
  21. — Chapter 16 —
  22. — Chapter 17 —
  23. — Chapter 18 —
  24. — Chapter 19 —
  25. — Chapter 20 —
  26. — Chapter 21 —
  27. — Chapter 22 —
  28. — Chapter 23 —
  29. — Chapter 24 —
  30. — Chapter 25 —
  31. — Chapter 26 —
  32. — Chapter 27 —
  33. — Chapter 28 —
  34. — Chapter 29 —
  35. — Chapter 30 —
  36. — Chapter 31 —
  37. — Part Two —
  38. — Chapter 32 —
  39. — Chapter 33 —
  40. — Chapter 34 —
  41. — Chapter 35 —
  42. — Chapter 36 —
  43. — Chapter 37 —
  44. — Chapter 38 —
  45. — Chapter 39 —
  46. — Chapter 40 —
  47. — Chapter 41 —
  48. — Chapter 42 —
  49. — Chapter 43 —
  50. — Chapter 44 —
  51. — Chapter 45 —
  52. — Chapter 46 —
  53. — Chapter 47 —
  54. — Chapter 48 —
  55. — Chapter 49 —
  56. — Chapter 50 —
  57. — Chapter 51 —
  58. — Chapter 52 —
  59. — Chapter 53 —
  60. — Chapter 54 —
  61. — Chapter 55 —
  62. — Chapter 56 —
  63. — Chapter 57 —
  64. — Chapter 58 —
  65. — Chapter 59 —
  66. — Part Three —
  67. — Chapter 60 —
  68. — Chapter 61 —
  69. — Chapter 62 —
  70. — Chapter 63 —
  71. — Chapter 64 —
  72. — Chapter 65 —
  73. — Chapter 66 —
  74. — Chapter 67 —
  75. — Chapter 68 —
  76. — Chapter 69 —
  77. — Chapter 70 —
  78. — Chapter 71 —
  79. — Chapter 72 —
  80. Acknowledgments
  81. About the Author

The sounds of getting started—the click of the strap buckle against the guitar, pop of the mic as I switch it on, the way the strings of the guitar vibrate ever so slightly when I rest it on my leg—those are my favorite sounds. I used to notice them every single time I played, but this is the first time in a long time that I’ve even heard them.

The couple who was already done with dinner is about to leave, but they sit down again and order another bottle of wine when I start to play. The date couple orders dessert. He gives her a bite of his lemon meringue pie, holding the fork across the table, hand under it, ready to catch pieces of the crumbling crust. I do a little cheer for her in my mind and play Something in the Way She Moves. James Taylor. Not Beatles. Because it’s the sweetest song I know. Because maybe it will help. Because I still want to believe that people can fall in love and stay there, the way I desperately wished the unicorn Margo took me to see at the Renaissance Fair wasn’t just a white goat with one horn sawed off.

I hope for a bigger crowd, but it never happens. A guy comes in and sits by himself in the corner. He orders coffee and pie and reads a book the whole time like I’m not even there. No one runs in from the street, moved by the music leaking out to the sidewalk. Robert won’t ask me back. This wasn’t enough.

While I pack up my guitar, I make a mental note of the things I need to gather from Ethan’s so I can head for Florida first thing in the morning before he wakes up. So there’s no need for awkward breakfast talk. It’s easier to leave when you aren’t burdened with goodbyes and loose promises about keeping in touch. Just go if you’re going to go.

Robert comes out of the kitchen and says, “Thank you, April.” He’s formal when he says it, looks at an order pad in his hand, and I feel like it’s the way you would dismiss someone if you were of the high and mighty variety. Thank you, April. That’s enough of you.

But he flips the page on his pad and says, “Can you play at the bar tomorrow, and then back here on Saturday?”

“Yeah,” I say slowly. “I can do that, possibly.” You have to adjust quickly. You can’t be too eager. Eager people get screwed. But I want to cry from the relief of it.