Back The People We Keep Save as PDF
Chapters (81)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. — Part One —
  6. — Chapter 1 —
  7. — Chapter 2 —
  8. — Chapter 3 —
  9. — Chapter 4 —
  10. — Chapter 5 —
  11. — Chapter 6 —
  12. — Chapter 7 —
  13. — Chapter 8 —
  14. — Chapter 9 —
  15. — Chapter 10 —
  16. — Chapter 11 —
  17. — Chapter 12 —
  18. — Chapter 13 —
  19. — Chapter 14 —
  20. — Chapter 15 —
  21. — Chapter 16 —
  22. — Chapter 17 —
  23. — Chapter 18 —
  24. — Chapter 19 —
  25. — Chapter 20 —
  26. — Chapter 21 —
  27. — Chapter 22 —
  28. — Chapter 23 —
  29. — Chapter 24 —
  30. — Chapter 25 —
  31. — Chapter 26 —
  32. — Chapter 27 —
  33. — Chapter 28 —
  34. — Chapter 29 —
  35. — Chapter 30 —
  36. — Chapter 31 —
  37. — Part Two —
  38. — Chapter 32 —
  39. — Chapter 33 —
  40. — Chapter 34 —
  41. — Chapter 35 —
  42. — Chapter 36 —
  43. — Chapter 37 —
  44. — Chapter 38 —
  45. — Chapter 39 —
  46. — Chapter 40 —
  47. — Chapter 41 —
  48. — Chapter 42 —
  49. — Chapter 43 —
  50. — Chapter 44 —
  51. — Chapter 45 —
  52. — Chapter 46 —
  53. — Chapter 47 —
  54. — Chapter 48 —
  55. — Chapter 49 —
  56. — Chapter 50 —
  57. — Chapter 51 —
  58. — Chapter 52 —
  59. — Chapter 53 —
  60. — Chapter 54 —
  61. — Chapter 55 —
  62. — Chapter 56 —
  63. — Chapter 57 —
  64. — Chapter 58 —
  65. — Chapter 59 —
  66. — Part Three —
  67. — Chapter 60 —
  68. — Chapter 61 —
  69. — Chapter 62 —
  70. — Chapter 63 —
  71. — Chapter 64 —
  72. — Chapter 65 —
  73. — Chapter 66 —
  74. — Chapter 67 —
  75. — Chapter 68 —
  76. — Chapter 69 —
  77. — Chapter 70 —
  78. — Chapter 71 —
  79. — Chapter 72 —
  80. Acknowledgments
  81. About the Author

The light sucks. I have to lean over a box of coffee stirrers to work on a shelf by the window and it puts me at this weird angle where it’s hard to keep my hand steady. But I don’t have to change much—just shape the eight in 1978 to a five on the birthday and issued dates, white out the J for junior license, and then I’m nineteen. When I start working on it, the stuff about the blending and the paper towel makes sense. I focus really small, the way I do when I’m putting on eyeliner, thinking about where I want the pencil to go, and then my hand just does it, one tiny speck at a time. I feel so lucky that as sloppy as Bodie is, he’s kind of anal about his art supplies. All his pencils are perfectly sharpened.

Bodie is in the kitchen when I get back. I’m not expecting him to be. He usually takes the world’s longest smoke breaks. He sees me holding his pencil case.

Sometimes my brain thinks faster than I even know it can, because I say, “Bodie, you must have dropped this. I found it on the floor under one of the tables.”

“Shit, Pilgrim,” he says, “you’re a lifesaver. That’s like my soul right there.” And then I feel awful, because the way Bodie feels about his pencils is totally the way I felt about my guitar.

“Favor?” I ask. I can’t stop now just because I feel bad.

“Anything,” he says, so stupid grateful that I saved his pencils.

“Can you cover for me for like ten minutes? Girl trouble,” I say, knowing Bodie is squeamish about those things. He blushes for hours after Carly makes him restock the tampon machine in the bathroom. And as much as it embarrasses me to embarrass him, my desperation makes me brave.

I run to the art supply store, buy a can of something called fixative, spray my license in the alley, and dump the can in the dumpster. Mark Conrad says the fixative is what separates the pros from the amateurs, because it makes it really hard to rub the fake numbers off.

— Chapter 24 —

Carly is in a mood today. She’s always in some kind of mood. I’ve never worked a day with her where the way she was feeling didn’t change the air around her one way or another, but this mood is especially bad.