Back The Path to the Sea Save as PDF
Chapters (105)
  1. Cover
  2. About the Author
  3. Booklist
  4. Title Page
  5. PRAISE
  6. Dedication
  7. THE WAYMARKER
  8. 1. Lottie
  9. SEA ROADS
  10. 2. Diana
  11. 3. Joan
  12. 4. Lottie
  13. 5. Lottie
  14. 6. Joan
  15. 7. Lottie
  16. 8. Diana
  17. 9. Lottie
  18. 10. Diana
  19. 11. Joan
  20. 12. Diana
  21. 13. Lottie
  22. 14. Joan
  23. 15. Lottie
  24. 16. Diana
  25. 17. Lottie
  26. 18. Diana
  27. 19. Lottie
  28. 20. Joan
  29. 21. Lottie
  30. 22. Diana
  31. MILESTONE
  32. 23. Joan
  33. 24. Lottie
  34. 25. Diana
  35. 26. Diana
  36. 27. Lottie
  37. 28. Diana
  38. 29. Lottie
  39. 30. Joan
  40. 31. Lottie
  41. 32. Diana
  42. 33. Joan
  43. 34. Lottie
  44. 35. Diana
  45. 36. Diana
  46. 37. Joan
  47. 38. Diana
  48. 39. Lottie
  49. 40. Joan
  50. 41. Diana
  51. 42. Lottie
  52. CROSSROADS
  53. 43. Lottie
  54. 44. Joan
  55. 45. Diana
  56. 46. Lottie
  57. 47. Diana
  58. 48. Lottie
  59. 49. Joan
  60. 50. Diana
  61. 51. Lottie
  62. 52. Joan
  63. 53. Diana
  64. 54. Lottie
  65. 55. Lottie
  66. 56. Joan
  67. 57. Lottie
  68. 58. Lottie
  69. 59. Diana
  70. 60. Lottie
  71. 61. Joan
  72. 62. Diana
  73. 63. Joan
  74. 64. Joan
  75. 65. Diana
  76. THE CAUSEWAY
  77. 66. Lottie
  78. 67. Lottie
  79. 68. Joan
  80. 69. Joan
  81. 70. Lottie
  82. 71. Joan
  83. 72. Lottie
  84. 73. Joan
  85. 74. Diana
  86. 75. Lottie
  87. 76. Joan
  88. 77. Lottie
  89. 78. Joan
  90. 79. Lottie
  91. 80. Diana
  92. 81. Joan
  93. 82. Lottie
  94. 83. Diana
  95. 84. Lottie
  96. 85. Joan
  97. DESIRE LINES
  98. 86. Joan
  99. 87. Lottie
  100. 88. Joan
  101. 89. Lottie
  102. 90. Diana
  103. 91. Diana
  104. Acknowledgements
  105. About the Publisher

‘Yes, that would be good then I can review where I’ve placed people.’

‘Don’t forget the vicar’s deaf ear.’ He chuckles.

‘I won’t.’ I leave him to his task and walk straight into Tom coming out of the snug.

‘Excellent.’ He takes my arm. ‘Do you have some flowers to cut?’

I nod. I don’t, but in the garden we won’t be overheard. My mind shifts to Moscow mode. I think I may have walked every park in that city. We remain silent until we are under the cover of the trees and among the camellia bushes. I turn to Tom. ‘Do you know this George Russell?’

‘I’ve met him.’ Tom shrugs.

‘And?’ I snip at some eucalyptus branches.

He clears his throat. ‘Seems sound.’

‘That doesn’t fill me with confidence.’ I turn to him.

‘Not much fills me with confidence at the moment.’

I put my hand on his arm. ‘Tom, this isn’t like you.’

‘True.’

‘There’s more than you’re telling me.’ I stop walking.

He laughs. ‘Always.’ Lighting a cigarette, he offers it to me and I take it, waiting while he lights one for himself. ‘Victor said in his dispatch that he felt someone was following him.’

I frown. ‘I wasn’t followed.’

‘Are you sure?’ He casts me a sideways glance and I search my memories seeing the park, the museums and the Arbat. I’d been followed on my first drop in Aden in 1955 and that taught me what it felt like. But the unease I felt in Moscow was different.

‘I’m sure.’ I take the secateurs out of the basket on my arm as I see Mr Hoskine in the distance. Here, under the trees, dew lingers on the leaves and I cut a white hydrangea head. The air smells of pine and petrichor and all I can see in my mind is the park bench in Moscow where I was sitting with Salome. Diana stood by the pond looking at another child trying to make a small wooden boat float. Victor entered the park and watched the children for a while. I’d let Salome’s lead slip and she ran towards Diana. I began walking towards the pond. Victor caught the lead and brought Salome back to me with a smile. The scene is so clear. Were the women with the children watching us? Victor handed the lead back to me then bent down to scratch Salome’s head and clipped the film inside the dog’s collar. It was a seamless handover. He left the park and Diana and I stayed for another hour. No one had followed us home. Other than to say thank you to Victor we hadn’t spoken.

‘I’m sure,’ I say again as we move to the top of the garden now.

‘Victor is vitally important and if the information he’s feeding us is true then Khrushchev is bluffing.’