Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
You do not have to say anything, but it may harm your defence if you do not mention, when questioned, something which you later rely on in court. Anything you do say may be given in evidence.
My faith in jury trials is limited. I’m well aware if push came to shove, I wouldn’t come across well: a trial has less to do with evidence than it does with emotion. Unlike Stacey or Harper, I’m not relatable. It’s never worried me before: people don’t need to like their surgeons. But they need to like defendants.
‘Are you going to prison, Mummy?’ Peter asks.
Tom jolts visibly at his sudden appearance in the kitchen. Our son could creep into our bedroom and murder us in our sleep and we’d never even wake.
‘Not yet,’ I say dryly.
‘The police want to search my room,’ Peter says. ‘I don’t want them to take my things.’
‘No one’s taking your things,’ Tom says impatiently.
There’s a shout from upstairs. A few minutes later, DS Mehdi comes back into the kitchen holding my running hoodie.
‘Blood on the cuff,’ he says grimly to DCI Hollander.
‘Oh, for God’s sake, how many more times?’ Tom says. ‘My wife’s told you she was with Felix when he had a nosebleed. Talk to Stacey Porter. She’ll tell you.’
‘We have. Mrs Porter has no recollection of it,’ DS Mehdi says.
The floor falls away beneath my feet.
‘What do you mean?’ Tom demands.
‘We asked Mrs Porter to confirm your wife’s version of events,’ DS Mehdi says smoothly. ‘She says there was no such occurrence as Mrs Downton described. In fact, she said as far as she’s aware her husband has never had a nosebleed.’
Tom looks at me sharply.
‘That can’t be right,’ I say stupidly. ‘She must remember. It was the same day she told me she and Felix were pulling out of the house sale. He had a bad nosebleed – she said he often had them when he was stressed.’
‘There’s something else,’ DS Mehdi says, handing an object to the other detective. ‘We found this in one of the cupboards upstairs.’
DCI Hollander examines it and then shows it to me. ‘Do you recognise this phone, Mrs Downton?’
It doesn’t belong to either of the children: they have very distinct phone cases. This one is plain black and glossy. ‘No,’ I say. ‘But one of the kids’ friends could have left it behind. They’re in and out of the house all the time.’
He flips it around, so that I can see the back. In the centre is a dull gold logo with which we’ve all become familiar in the last couple of weeks: Copper Beech Financial.
Felix’s phone.