Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
She stops suddenly, looking like she could bite off her tongue.
‘What d’you mean?’
‘Nothing.’
‘Millie,’ I say. ‘There’s no such thing as nothing with you.’
She won’t look me in the eye. I know if I ask, if I ask, she’ll tell me.
It’s the closest I’ve come to breaking the golden rule that’s kept us safe all these years: our marriage works precisely because so much of what binds us together is left unsaid.
What did you do, Millie?
If I ask, it’ll change everything.
Millie, what did you do?
chapter 38
millie
A hand suddenly grabs my shoulder and I turn, expecting to find a journalist thrusting a camera in my face.
It takes me a moment to recognise the woman behind me as Harper. Her hair is caught back in a messy ponytail, and without a scrap of make-up she looks almost as young and vulnerable as Meddie.
‘What are you doing here?’ I ask, shaking her off.
‘Where is he?’
‘Felix? I’ve no idea,’ I say.
‘You must know!’ Harper cries. ‘You have to tell me!’
I glance across the road. At least a dozen journalists and photographers are camped on the narrow pavement outside the Glass House. Even as we watch, a Sky News van arrives and kerb-crawls down the street, looking for somewhere to park. The house has an oddly abandoned air: all the blinds are up, and the letterbox is jammed with junk mail. It’s clear no one’s home. It looks deserted, as if no one’s lived in it for years.
I don’t know what I was thinking coming here again.
A couple of snappers recognise Harper and start to take photos. We’re attracting way too much attention.
I grasp the girl’s arm and propel her past the journalists and down the road to my car. ‘Get in,’ I say.
She climbs into the Audi and pulls her knees up to her chest, wrapping her arms around them like a small child. I want to tell her to keep her thick-soled white trainers off my nappa leather, but even I can appreciate now’s not the time.
‘You invested money with Copper Beech?’ I ask, hazarding a guess.
She nods.
‘When?’
‘A few days after I ran into Felix outside the divorce lawyer’s office,’ she admits, her chin pressed to her knees. ‘When I heard he’d pulled out of the sale. I called and told him we needed the house move to go ahead or our sponsors would ditch us. He knew we had a cashflow problem. He said he could help!’
‘You blackmailed him,’ I say flatly.
‘He said it was safe! He said everyone put their money in Copper Beech! We’d make at least ten percent in less than three months!’