Back The New House Save as PDF
Chapters (81)
  1. Cover
  2. Praise for Tess Stimson
  3. Dedication
  4. part one
  5. chapter 01
  6. chapter 02
  7. chapter 03
  8. chapter 04
  9. chapter 05
  10. chapter 06
  11. chapter 07
  12. chapter 08
  13. chapter 09
  14. chapter 10
  15. chapter 11
  16. chapter 12
  17. chapter 13
  18. chapter 14
  19. chapter 15
  20. chapter 16
  21. chapter 17
  22. chapter 18
  23. chapter 19
  24. chapter 20
  25. chapter 21
  26. chapter 22
  27. chapter 23
  28. chapter 24
  29. chapter 25
  30. chapter 26
  31. chapter 27
  32. chapter 28
  33. chapter 29
  34. chapter 30
  35. chapter 31
  36. chapter 32
  37. chapter 33
  38. chapter 34
  39. chapter 35
  40. chapter 36
  41. part two
  42. chapter 37
  43. chapter 38
  44. chapter 39
  45. chapter 40
  46. chapter 41
  47. chapter 42
  48. chapter 43
  49. chapter 44
  50. chapter 45
  51. chapter 46
  52. chapter 47
  53. chapter 48
  54. chapter 49
  55. part three
  56. chapter 50
  57. chapter 51
  58. chapter 52
  59. chapter 53
  60. chapter 54
  61. chapter 55
  62. chapter 56
  63. chapter 57
  64. chapter 58
  65. chapter 59
  66. chapter 60
  67. chapter 61
  68. chapter 62
  69. chapter 63
  70. chapter 64
  71. chapter 65
  72. chapter 66
  73. chapter 67
  74. chapter 68
  75. part four
  76. chapter 69
  77. ACKNOWLEDGEMENTS
  78. Keep Reading …
  79. About the Author
  80. By the same author:
  81. About the Publisher

I can’t accompany Millie to the police station: someone has to stay home and watch the kids. She’s attending a voluntary interview, so she’s able to drive herself there – no perp walk to a police car with the obligatory hand to duck her head as she gets into the back seat. It’s all profoundly civilised.

And bloody terrifying.

Millie insists she doesn’t need a lawyer but for once I overrule her and contact our solicitor, Andrew, for the name of a good criminal lawyer to meet her at the police station. It’s not easy to find one available at five on a Friday night: no doubt part of the calculation the cops made when they timed their visit. But we get lucky: a woman called Rebecca Miller agrees to represent Millie, though it’s going to cost us an arm and a leg. But it’ll be money well spent. You don’t have to be guilty to require legal representation. Things can be twisted and taken out of context.

Bloody fingerprints. Felix Porter’s phone at the back of our airing cupboard. A nosebleed the nation’s favourite morning presenter insists didn’t happen.

Millie, what did you do?

I think I know the answer to that one.

My wife is one of the smartest people I’ve ever met, but even smart people sometimes do stupid things. I don’t know exactly what happened the day Millie went to the Glass House, but I’m pretty certain she killed Felix. I realise it should bother me more than it does, but I’ve known who Millie is for a long time. This isn’t the first occasion she’s taken the law into her own hands. Her sense of natural justice may not line up with what the world considers right or wrong, but at the end of the day she’s on the side of the angels. Whatever she did must have been necessary.

Maybe they had a row that escalated and she lashed out; perhaps he struck first and she was just defending herself. Either way, she’d have quickly realised how bad it’d look for her, given their personal history. She’s a gambler, my wife: she’s not afraid to take a calculated risk. She’ll have weighed up her chances of successfully getting rid of the corpse against the danger of coming clean and not being believed. She has a strong stomach: I’m sure Felix’s body is never going to be found. And it’s very difficult – though not impossible – to convict someone of murder when you can’t prove there’s a victim.