Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
I can’t accompany Millie to the police station: someone has to stay home and watch the kids. She’s attending a voluntary interview, so she’s able to drive herself there – no perp walk to a police car with the obligatory hand to duck her head as she gets into the back seat. It’s all profoundly civilised.
And bloody terrifying.
Millie insists she doesn’t need a lawyer but for once I overrule her and contact our solicitor, Andrew, for the name of a good criminal lawyer to meet her at the police station. It’s not easy to find one available at five on a Friday night: no doubt part of the calculation the cops made when they timed their visit. But we get lucky: a woman called Rebecca Miller agrees to represent Millie, though it’s going to cost us an arm and a leg. But it’ll be money well spent. You don’t have to be guilty to require legal representation. Things can be twisted and taken out of context.
Bloody fingerprints. Felix Porter’s phone at the back of our airing cupboard. A nosebleed the nation’s favourite morning presenter insists didn’t happen.
Millie, what did you do?
I think I know the answer to that one.
My wife is one of the smartest people I’ve ever met, but even smart people sometimes do stupid things. I don’t know exactly what happened the day Millie went to the Glass House, but I’m pretty certain she killed Felix. I realise it should bother me more than it does, but I’ve known who Millie is for a long time. This isn’t the first occasion she’s taken the law into her own hands. Her sense of natural justice may not line up with what the world considers right or wrong, but at the end of the day she’s on the side of the angels. Whatever she did must have been necessary.
Maybe they had a row that escalated and she lashed out; perhaps he struck first and she was just defending herself. Either way, she’d have quickly realised how bad it’d look for her, given their personal history. She’s a gambler, my wife: she’s not afraid to take a calculated risk. She’ll have weighed up her chances of successfully getting rid of the corpse against the danger of coming clean and not being believed. She has a strong stomach: I’m sure Felix’s body is never going to be found. And it’s very difficult – though not impossible – to convict someone of murder when you can’t prove there’s a victim.