Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
I didn’t kill any of those people. I’d tell you if I had. I’ve done the work on myself. I’ve owned my past behaviour – it’s the reason I’m here now.
I’ve told you the truth. I’m one of the safe ones.
You can trust me now.
chapter 66
tom
This damn house.
I look up at the spectacular glass facade through the windscreen of my car. There’s no denying it’s an extraordinary property, but it doesn’t exert the same magnetic pull on me as it does on my wife. All this craziness only started when Millie went to view the Glass House four months ago. I suppose it’s fitting if it ends here, too.
I reread the text Millie sent me yesterday. It makes no more sense now than it did last night. I was tired then, so I didn’t question the idea that Millie had taken Peter off on an impromptu road trip to see if she could get him to open up to her about what’s going on in his head, but in the cold light of day I realise she’d never take him out of school without damn good reason. And I have no idea why her phone is located in Abingdon. Maybe Stacey took Peter there for some reason and she went after them, but that makes even less sense.
I slide my phone back into my jeans and climb out of my car. I put on a good front for Harper when she was at panic stations earlier and wanted to call the cops, but I’m rattled. Millie’s never taken Peter on one of her prison breaks before. And now Harper’s gone running off to find them, and if I don’t follow her I’m going to look like a total shit.
My alarm grows as I walk up the road. The door to the Glass House is not just unlocked, but wide open. No one leaves their front door open in London unless they’re literally walking through it – not if they don’t want to be robbed or murdered in their beds. But there’s no sign of Stacey or anyone else going in or out of the house, no signs of life at all: no shopping bags in the hall, no lights on, no TV or radio playing. I’ve got a really bad feeling about this. It just seems off.
I glance back down the street. Stacey’s yellow Mini convertible is parked a couple of houses away, which presumably means she’s here. Maybe she’s upstairs, or out by the pool, and didn’t realise she’d left the door open.
I finally screw up the courage to go inside, bracing myself for some sort of jump scare, like I’m in a teen slasher movie.