Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“I just knew it would have killed me if he shot Em,” I told the little English teacher.
“The way you looked at her must have made this clear to Em,” the snowshoer said.
“If she were only halfway interested, I would ask Em to marry me!” I blurted out.
“I believe Em knows this, Adam—I think this is the problem,” Mr. Barlow said.
“I don’t know how I look when I’m looking at Em—I can’t see myself when I’m seeing her,” I said to the snowshoer.
“I’ve seen you when you’re imagining, Adam—mostly, when you’re writing,” the little English teacher told me. “I know how you look when you look at Em—like you’re writing the end of the story. You’re imagining that you and Em are a couple, that you’re already together—this is how you look at her,” the snowshoer said.
I understood why Em had told me I couldn’t look at her like this. How would it ever work, for me to love her that way? I must be crazy, I was thinking. I’d seen Em’s penis pantomime; I knew how she felt about penises. I felt so out of it. I might as well marry a skier who works in publishing, I thought. And Em had just lost the love of her life. How could I look at Em like this? How could I even dream of loving her that way? I went to bed feeling so ashamed. You have to be careful what you show or act out to a pantomimist. You better not pantomime those things you can’t take back.
42. A NORMAL LIFE
On the second night, Em went back and forth between my bed and Mr. Barlow’s. Em would lie back on the pillow and not move, but she couldn’t sleep, and she was too restless to stay in bed. I knew better than to try to hug her; I didn’t even touch her hand. I kept my back turned to her and pretended I was sleeping. Once, when I actually was asleep, I felt her arm around me and her breath on my shoulder, or I just dreamed this—for old times’ sake, or because I couldn’t forget how Em had hugged me, the way she would bump me with her head when she locked her hands around me from behind.
Em was getting dressed when I woke up. I looked away; I didn’t see what she was wearing. When I went into the kitchen, Elliot Barlow asked me if Em was going to church. It was Sunday morning, but we both knew Em never went to church. “Em is dressed like she’s going to church, or to a funeral,” the snowshoer said.