Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“Why didn’t Dave just say he was a specialist, or what kind of specialist he was?” Nora asked Em and me. Em was doing a doctor pantomime, pretending a banana was a stethoscope. She pulled up her sweater and listened to her navel with the banana; then she pulled her sweater up higher and listened to her breast, or to her bra. “What the fuck are you listening for?” Nora asked her. Em shrugged; now she was listening to her armpit with the banana. “She’s Dr. Dave—she doesn’t know what her specialty is,” Nora explained.

Naturally, this became one of their routines at the Gallows. It was very popular. People in the audience would request the act; they would shout out for “The Specialist.” Nora always got a laugh when she asked the people who made the request if they had a banana. This led some fans to put bananas on the stage, but having bananas onstage could be confusing. Em had more than one routine with a banana.

One night at the Gallows, I was there with the snowshoer and Dr. Dave. I’d warned Nora that Dave was going to be there. Mr. Barlow had already seen Nora and Em do “The Specialist”; he’d loved it, but he still hadn’t told Nora or Em or me what Dave’s specialty was. The night Dr. Dave came to the Gallows, no one was shouting for “The Specialist,” but there were already a bunch of bananas onstage. Nora and Em were waiting for the applause to die down.

“What are the bananas for?” I heard Dave ask Elliot.

“You’ll see,” the snowshoer said.

Nora knew how to quiet the crowd. She took a banana from the bunch and handed it to Em. “I hear you’re seeing a specialist,” Nora began. Dr. Dave laughed as hard as anyone at the show; the snowshoer sat smiling beside him, the two of them not touching. It didn’t really matter, not then, but nobody told Nora and Em and me what Dave’s specialty was.

As an act, “The Specialist” kept evolving. I liked the most gynocentric version. “I hear you’re seeing an OB-GYN extra,” Nora begins. Em appears to be taking her pulse with the banana. “Extra what, Em?” Nora asks her.

This was what the seventies were like for us. We were at liberty—we had liberty, we took liberties. We felt free to say and write whatever we imagined. We felt free to live the lives we chose. We didn’t see the pushback coming. We failed to imagine both the passive and aggressive forms the pushback would take.

“What are the bananas for? Long time passing,” I remember Nora used to sing.

“Where have the bananas gone? Long time ago,” the snowshoer sang back to her. I admired how Mr. Barlow stayed friends with his former boyfriends; Elliot was always happy to see them when they were with new boyfriends, and the snowshoer’s old boyfriends always seemed happy to see him.