Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“They’re laughing at us because I’m small,” I said to Sally.

“They’re laughing at us because I’m fat,” Sally told me, without hesitation.

“I don’t think you’re fat, but I know I’m small,” I told her.

“I know how to shut ’em up,” Sally said, pulling my head to her breasts and holding me there. This was when I got the idea of making out with her in my attic bedroom; this was also when the disc jockey decided to switch from slow Elvis to fast Elvis.

First my face was pressed against Sally’s boobs, and we were dancing to a dead-dog dirge; then Elvis was singing “Blue Suede Shoes” or “I Got a Woman,” and I was trying to hang on.

Fast-dancing with Sally was an exercise in staying out of her way. I soon realized Sally was intent on doing damage to the couple who’d laughed at us the quickest and the loudest. Sally hit the couple hard, mid-twirl, hipping them across the gym floor, where they fell together in a tangled heap. “Oops!” Sally said, twirling back to me. I realized she was more agile than she looked.

I liked her so much, I even introduced her to my mother and the little snowshoer—this was in the fall, before the ski season, of course. But there was nowhere Sally and I could have made out in Mr. Barlow’s faculty apartment; it was a small apartment in one of the academy dormitories. I would have had to bring Sally into the dorm, where all the Exeter boys could get a look at her. I was afraid of the comments one of those cruel boys might have made. I was brand new, as both a faculty brat and an academy student. Many of those Exeter boys were smarter and more sophisticated than I was. I felt I was an outsider among them.

I liked how clear Sally was about the rules for making out; she was exceptionally clear about the guidelines. Compared to Sally, my later girlfriends would be vague or misleading or self-contradictory about the regulations regarding touching or no touching. “We keep our underwear on—there’s no touching anything that’s inside our underwear,” Sally told me, as we were going up the attic stairs. “Rubbing is okay—we can rub against each other, anywhere we feel like it,” Sally said.

“Okay,” I said. At fourteen, who wouldn’t be okay with that? And what if I hadn’t said a single word to Sally about Granddaddy’s ghost? What if the never-a-headmaster had just shown up, blathering about punctuation marks? It’s hard to imagine that would have turned out any better. Exeter is a small town. Everyone knew Lewis Brewster was dead; everyone had heard how he’d died.

Like many things, ghosts are a cultural problem. People who haven’t seen a ghost expect to see their prevailing fantasy of a spirit: a gauzy shape, a vague presence, or the mere sensation of a spiritual life; a bodiless voice, a cold draft, a chair that moves. People who don’t know ghosts aren’t expecting a person who seems real.