Back One White Lie Save as PDF
Chapters (59)
  1. COVER
  2. About the Author
  3. DEDICATION
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY
  54. FIFTY-ONE
  55. FIFTY-TWO
  56. FIFTY-THREE
  57. FIFTY-FOUR
  58. Acknowledgments
  59. THIS IS JUST THE BEGINNING

I glanced into the living room, where a tufted leather ottoman sat in front of an overstuffed sofa, surrounded by antique furniture, the kind you picked up at estate sales. Dark brown wooden beams stood out from the ceiling, and below me, the hardwood floors were banged up but beautiful. Her home had plenty to be jealous of but little to hate. It was imperfect, far from museumlike, with dust on the baseboards and clutter on every surface: junk mail, water glasses marked with lipstick, shoes tossed into the corner.

And books, books everywhere. Stacked in the hallway, lining the inset shelves in the living room. Art and philosophy (Warhol, Kant); high and low (White Teeth, Twilight); Ta-Nehisi Coates on top of Daphne du Maurier. Books always made me feel safe. Suddenly, I wished I’d taken more from my childhood, could read myself the ones my mother had once read to me.

‘John,’ Vera yelled up the stairs. ‘Lucy is here!’ Not ‘Lucy, the neighbor.’ Or ‘Lucy, the woman I told you about.’ Just Lucy. She didn’t wait for anyone to bound down the stairs, but led me through the living room, where I detected the faint scent of weed, and into the kitchen in back. Unlike the rest of the house, it was small and cramped, as if whoever had designed the formal rooms in front had forgotten that people actually had to, you know, cook and tacked it on haphazardly. White tiles were everywhere – on the floor, on the backsplash – caked with grout and pasta sauce, one of them cracked all the way across, and a small kitchen island was piled on one side with even more junk mail and on the other with containers of spices and an empty tub of ricotta.

‘I brought this over,’ I said, retrieving Davis’s good whiskey from my oversize purse and handing it to her. ‘It’s already opened, which I know is a little gauche, but it’s good – promise.’

Vera’s eyes lit up. ‘Oh, screw gauche,’ she said. ‘I love gauche, in fact. This is wonderful. Now I’m going to be gauche myself and insist we drink it right now.’ Without waiting for my reaction, she pushed the junk mail aside and set the bottle on the island, pulled three glasses out of a weathered cabinet, and grabbed ice from the freezer with her bare hands. When she shut the fridge, I saw a whiteboard on the front, with a to-do list so different from mine, it was nuts. Only one item: Rachel.

Vera pushed a glass at me, poured tall, and I took it gratefully; I tried not to sip too fast.

‘John!’ she called again. Footsteps thudded from down the hall.

He walked in, and I coughed, choking as a bit of whiskey slipped down the wrong pipe.