Back Never Goodbye
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

She got up from behind her desk and seemed to glide toward me. That was the sense I had, that she moved with the grace of a dancer. She was dressed in typical ADA attire for women—blue suit, white blouse, sensible shoes, a simple rope necklace, and small gold earrings—but somehow she made the ensemble appear to be elegant rather than workmanlike. But it was her gaze that froze me in her orbit. Lauren had the most piercing blue eyes I’d ever seen.

“I’ve heard so many great things about you, Dana,” she said. “And I can’t believe that we’ve never met before. How can that be?”

“I’ve had my head down in General Crimes for a long time, I’m afraid.”

“Well, I’m very glad that you popped up to meet with me today. But I have to ask the most obvious question: Why? You’ve made quite a reputation for yourself over in GC. Eugene can’t stay chief forever. Why not wait him out? In another three, four . . . at most five years, you’d be chief. And, full disclosure, I’m not going anywhere in that time frame.”

I had a prepared answer for this question. I was going to wax on about how I’d never wanted a management role, explain that I came to the DA’s office to try cases. How, after nearly twenty years, I had accomplished all I set out to achieve in the courtroom and thought it was time to take on new challenges. My lack of deputy experience would hinder my being picked to take over for Stickleman when the time came . . . blah blah blah.

For some reason, however, when the time came to deliver this speech, I deviated from my script and actually told her the truth.

“You,” I said. “I don’t mean to be a suck-up, but I’m not here because becoming a deputy is a box I need to check on my way to getting a bureau chief job. I’m here because I want to work with you.”

My revelation caused Lauren to sit up straighter. I suspect the other applicants had all answered that question with a variant of the same speech I had prepared about seeking out new challenges.

“Okay, I’ll bite,” she said. “Why do you want to work for me?”

“I want to be inspired. Not to get all new-agey about it, but I’m looking to work with someone who can help me become the best version of myself. To become something more than I have been up until now.”

“That’s a high bar for a boss.”

“With all respect, I’m not looking for a boss. I’m looking for a partnership. I understand I’m not going to be an equal partner, but I want to feel like my point of view truly matters in all decisions, big and small.”